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Front Cover: The Táin by Karl Mullen. 12 x 17, mixed media on vintage paper. Mullen’s paintings reside in many private collections in the United States and Europe and in the permanent holdings of the Polk Museum of Art (Lakeland, Florida), the Hurn Museum of Contemporary Folk Art (Savannah, Georgia), and Robert Morris University (Chicago, Illinois). For more information: http://www.amerifolk.com/artists/karl-mullen/ and https://www.jtfolkart.com/karlmullen/.

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Nótaí na nEagarthóirí: Editor’s Notes
David Gardiner
pp. 5-7
DOI: https://doi.org/10.1353/nhr.2019.0024

The Roof
James Murphy
pp. 9-16
DOI: https://doi.org/10.1353/nhr.2019.0014

Kate O’Brien’s The Ante-Room and the Ghosts of Past Futures
Keelan Harkin
pp. 17-30
DOI: https://doi.org/10.1353/nhr.2019.0015

Filíocht Nua: New Poetry
Máirtín Ó Direáin, Frank Sewell
pp. 52-61
DOI: https://doi.org/10.1353/nhr.2019.0017

“Too Clever for Belfast”? Stewart Parker’s Joyce in June
Helen Heusner Lojek
pp. 77-94
DOI: https://doi.org/10.1353/nhr.2019.0019

Unearthing Easter in Laois: Provincializing the 1916 Easter Rising
Andrew Himmelberg
pp. 114-133
DOI: https://doi.org/10.1353/nhr.2019.0021

Living Pictures of the Irish Revival: Two Tableaux Vivant
Niamh Campbell
pp. 134-153
DOI: https://doi.org/10.1353/nhr.2019.0022

Clúdach: Cover
p. 154
DOI: https://doi.org/10.1353/nhr.2019.0023

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Volume 23, Number 3, Autumn/Fómhar 2019

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