1. The Power of the Neo-Slave Narrative Genre
  2. Joan Anim-Addo, Maria Helena Lima
  3. pp. 1-8
  4. DOI: 10.1353/cal.2018.0000
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  1. San Juan Bautista Port, 1852
  2. Alba Ambert
  3. pp. 9-15
  4. DOI: 10.1353/cal.2018.0001
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  1. Daughter and His Housekeeper
  2. Joan Anim-Addo
  3. pp. 16-20
  4. DOI: 10.1353/cal.2018.0002
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  1. from Feeding the Ghosts
  2. Fred D'Aguiar
  3. pp. 21-23
  4. DOI: 10.1353/cal.2018.0003
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  1. from The Darker Face of the Earth
  2. Rita Dove
  3. pp. 24-37
  4. DOI: 10.1353/cal.2018.0004
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  1. Mirar Adentro, and: Looking Inwards
  2. Nancy Morejón
  3. pp. 38-39
  4. DOI: 10.1353/cal.2018.0018
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  1. Mujer Negra, and: Black Woman
  2. Nancy Morejón
  3. pp. 40-43
  4. DOI: 10.1353/cal.2018.0020
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  1. Baas, and: Baas
  2. Nancy Morejón
  3. pp. 44-45
  4. DOI: 10.1353/cal.2018.0022
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  1. Madrigal Para Cimarrones A Miguel Barnet, and: Madrigal for Maroons To Miguel Barnet
  2. Nancy Morejón
  3. pp. 46-47
  4. DOI: 10.1353/cal.2018.0023
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  1. Guinea Woman
  2. Lorna Goodison
  3. pp. 48-49
  4. DOI: 10.1353/cal.2018.0010
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  1. Guinea Woman, and: Nanny
  2. Lorna Goodison
  3. pp. 48-51
  4. DOI: 10.1353/cal.2018.0009
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  1. Nanny
  2. Lorna Goodison
  3. pp. 50-51
  4. DOI: 10.1353/cal.2018.0012
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  1. St Croix: the Haunts of Castle Coakley, I, and: Massacre: (For those whose voices cry for obelisks of remembrances)
  2. Dannabang Kuwabong
  3. pp. 52-55
  4. DOI: 10.1353/cal.2018.0011
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  1. Entrevista com Marcelo D'Salete
  2. Matheus Gato De Jesus
  3. pp. 56-69
  4. DOI: 10.1353/cal.2018.0013
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  1. Interview with Marcelo D'salete
  2. Matheus Gato De Jesus, Maria Helena Lima
  3. pp. 57-69
  4. DOI: 10.1353/cal.2018.0029
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  1. from Cumbe
  2. Marcelo D'Salete
  3. pp. 70-72
  4. DOI: 10.1353/cal.2018.0014
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  1. from The Long Song
  2. Andrea Levy
  3. pp. 73-75
  4. DOI: 10.1353/cal.2018.0015
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  1. Francophone Voices
  2. Lucia Llano Puertas
  3. pp. 76-78
  4. DOI: 10.1353/cal.2018.0016
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  1. I Coming Back
  2. Grace Nichols
  3. p. 79
  4. DOI: 10.1353/cal.2018.0006
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  1. I Coming Back, and: Night Is Her Robe, and: Love Act, and: In My Name
  2. Grace Nichols
  3. pp. 79-83
  4. DOI: 10.1353/cal.2018.0017
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  1. Night Is Her Robe
  2. Grace Nichols
  3. p. 80
  4. DOI: 10.1353/cal.2018.0007
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  1. Love Act
  2. Grace Nichols
  3. p. 81
  4. DOI: 10.1353/cal.2018.0008
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  1. In My Name
  2. Grace Nichols
  3. pp. 82-83
  4. DOI: 10.1353/cal.2018.0019
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  1. For The First Mother: A Litany
  2. Toni Stuart
  3. pp. 84-85
  4. DOI: 10.1353/cal.2018.0024
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  1. For The First Mother: A Litany, and: Liquescent, and: Foresight, and: The Woman Speaks
  2. Toni Stuart
  3. pp. 84-89
  4. DOI: 10.1353/cal.2018.0021
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  1. Liquescent
  2. Toni Stuart
  3. pp. 86-87
  4. DOI: 10.1353/cal.2018.0030
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  1. Foresight
  2. Toni Stuart
  3. p. 88
  4. DOI: 10.1353/cal.2018.0031
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  1. The Woman Speaks
  2. Toni Stuart
  3. p. 89
  4. DOI: 10.1353/cal.2018.0032
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  1. Synthesis and Integration in the Work of Howardena Pindell, 1972–1992: A (Re) Consideration
  2. Lowery Stokes Sims
  3. pp. 93-100
  4. DOI: 10.1353/cal.2018.0025
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  1. The Art of Howardena Pindell
  2. Valerie Cassel Oliver
  3. pp. 101-109
  4. DOI: 10.1353/cal.2018.0026
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  1. Weather Wars
  2. Yusef Komunyakaa
  3. pp. 109-179
  4. DOI: 10.1353/cal.2018.0027
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  1. Contributors
  2. pp. 180-184
  3. DOI: 10.1353/cal.2018.0028
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