1. Editor's Introduction: Joyce, Beckett, Coetzee
  2. Jean-Michel Rabaté
  3. pp. 1-4
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  1. Trials of the Letter in Joyce and Proust
  2. David Spurr
  3. pp. 5-19
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  1. "Ivy Day": Dublin Municipal Politics and Joyce's Race-Society Colonial Irish Jew
  2. Neil R. Davison
  3. pp. 20-38
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  1. "Photo girl he calls her": Re-Reading Milly in Ulysses
  2. Georgina Binnie
  3. pp. 39-53
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  1. Joyce's Punctuation and the Evolution of Narrative in Finnegans Wake
  2. Elizabeth M. Bonapfel
  3. pp. 54-73
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  1. "Danced through its seven phases": Samuel Beckett, Symbolism, and Stage Choreographies
  2. Megan Girdwood
  3. pp. 74-92
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  1. A Defense of Wretchedness: Molloy and Humiliation
  2. Rick de Villiers
  3. pp. 93-110
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  1. "So it is I who speak": Communicating Bodies in Samuel Beckett's Happy Days and The Unnamable
  2. Patrick Whitmarsh
  3. pp. 111-128
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  1. Beckett, War Memory, and the State of Exception
  2. Emilie Morin
  3. pp. 129-145
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  1. Challenging Secularity's Posthistorical "Destination": J.M. Coetzee's Radical Openness in the Jesus Novels
  2. Shannon Forest
  3. pp. 146-164
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  1. Finitizing Life: Between Reason and Religion in J.M. Coetzee's Jesus Novels
  2. Marc Farrant
  3. pp. 165-182
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  1. Ways into Joycean Silences: Reviewing James Joyce's Silences
  2. Ian Tan
  3. pp. 183-188
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  1. Samuel Beckett and Modernist Film Culture: Review of Samuel Beckett and Cinema
  2. Michelle Chiang
  3. pp. 189-191
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  1. The Late Style of Borges, Beckett, and Coetzee as Postmodernist Cynics
  2. Arya Aryan
  3. pp. 192-195
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  1. Modernism for the Middle Class
  2. Erin A. Smith
  3. pp. 196-198
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