1. Fill a Void: The Dc Punk and Indie Fanzine Collection at the University of Maryland
  2. John R. Davis
  3. pp. 7-26
  4. DOI: 10.1353/not.2019.0087
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  1. The Life of Teresa Carreño (1853–1917), a Venezuelan Prodigy and Acclaimed Artist
  2. Anna E. Kijas
  3. pp. 38-83
  4. DOI: 10.1353/not.2019.0085
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  1. Notes for Notes
  2. pp. 84-90
  3. DOI: 10.1353/not.2019.0084
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  1. Hearing the City in Early Modern Europe ed. by Tess Knighton and Ascensión Mazuela-Anguita (review)
  2. Lynette Bowring
  3. pp. 91-94
  4. DOI: 10.1353/not.2019.0078
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  1. Leipzig after Bach: Church and Concert Life in a German City by Jeffrey S. Sposato (review)
  2. Kimberly Beck Hieb
  3. pp. 94-96
  4. DOI: 10.1353/not.2019.0077
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  1. Debussy's Paris: Piano Portraits of the Belle Époque by Catherine Kautsky (review)
  2. Mark DeVoto
  3. pp. 96-98
  4. DOI: 10.1353/not.2019.0076
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  1. Jazz Italian Style: From Its Origins in New Orleans to Fascist Italy and Sinatra by Anna Harwell Celenza (review)
  2. Aaron J West
  3. pp. 98-101
  4. DOI: 10.1353/not.2019.0075
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  1. Hip Hop at Europe's Edge: Music, Agency, and Social Change ed. by Milosz Miszczynski and Adriana Helbig (review)
  2. Brandi A. Neal
  3. pp. 101-103
  4. DOI: 10.1353/not.2019.0074
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  1. Gypsy Music: The Balkans and Beyond by Alan Ashton-Smith (review)
  2. Panayotis League
  3. pp. 103-106
  4. DOI: 10.1353/not.2019.0073
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  1. Ernest Newman: A Critical Biography by Paul Watt (review)
  2. Jennifer Oates
  3. pp. 109-111
  4. DOI: 10.1353/not.2019.0071
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  1. Benjamin Britten Studies: Essays on an Inexplicit Art ed. by Vicki P. Stroeher and Justin Vickers (review)
  2. Shersten Johnson
  3. pp. 111-113
  4. DOI: 10.1353/not.2019.0070
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  1. Charles Ives's Concord: Essays after a Sonata by Kyle Gann (review)
  2. Tim Sullivan
  3. pp. 114-116
  4. DOI: 10.1353/not.2019.0069
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  1. Lou Harrison: American Musical Maverick by Bill Alves and Brett Campbell (review)
  2. John MacInnis
  3. pp. 116-118
  4. DOI: 10.1353/not.2019.0068
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  1. Metamorphosis in Music: The Compositions of György Ligeti in the 1950s and 1960s by Benjamin R. Levy (review)
  2. Paul V. Miller
  3. pp. 118-122
  4. DOI: 10.1353/not.2019.0067
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  1. Beethoven & Freedom by Daniel K L Chua (review)
  2. Jonathan Kregor
  3. pp. 122-125
  4. DOI: 10.1353/not.2019.0066
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  1. Improvisation and Social Aesthetics ed. by Georgina Born, Eric Lewis, and Will Straw (review)
  2. Virginia Anderson
  3. pp. 125-127
  4. DOI: 10.1353/not.2019.0065
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  1. The Pop Palimpsest: Intertextuality in Recorded Popular Music ed. by Lori Burns and Serge Lacasse (review)
  2. Trevor de Clercq
  3. pp. 127-130
  4. DOI: 10.1353/not.2019.0064
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  1. Pat Metheny: The ECM Years, 1975–1984 by Mervyn Cooke (review)
  2. James Mason
  3. pp. 130-132
  4. DOI: 10.1353/not.2019.0063
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  1. The Great Woman Singer: Gender and Voice in Puerto Rican Music by Licia Fiol-Matta (review)
  2. Ruth E. Rosenberg
  3. pp. 132-135
  4. DOI: 10.1353/not.2019.0062
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  1. The Ballad of John Latouche: An American Lyricist's Life and Work by Howard Pollack (review)
  2. Elizabeth A. Wells
  3. pp. 135-137
  4. DOI: 10.1353/not.2019.0061
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  1. Exploring Christian Song ed. by M. Jennifer Bloxam and Andrew Shenton (review)
  2. Daniel Jay Grimminger
  3. pp. 137-139
  4. DOI: 10.1353/not.2019.0088
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  1. I Sang the Unsingable: My Life in Twentieth-Century Music by Bethany Beardslee, with Minna Zallman Proctor (review)
  2. Rachel S. Vandagriff
  3. pp. 139-142
  4. DOI: 10.1353/not.2019.0060
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  1. The Oxford Handbook of Choral Pedagogy ed. by Frank Abrahams and Paul D. Head (review)
  2. Anne Shelley
  3. pp. 142-145
  4. DOI: 10.1353/not.2019.0059
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  1. Spirited Wind Playing: The Performance Dimension by Kim Walker (review)
  2. Carol Shansky
  3. pp. 148-150
  4. DOI: 10.1353/not.2019.0056
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  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 151-154
  4. DOI: 10.1353/not.2019.0083
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  1. New Periodicals
  2. Lindsay Hansen Brown
  3. pp. 155-158
  4. DOI: 10.1353/not.2019.0082
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  1. Bloomsbury Popular Music (review)
  2. Marci Cohen
  3. pp. 159-161
  4. DOI: 10.1353/not.2019.0081
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  1. Madrigali a cinque voci by Carlo Gesualdo Principe di Venosa (review)
  2. Massimo Ossi
  3. pp. 162-165
  4. DOI: 10.1353/not.2019.0079
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  1. Symfonie c moll = Symphony in C minor = Symphonie c-Moll "Asrael" op. 27 by Josef Suk (review)
  2. Nigel Simeone
  3. pp. 166-168
  4. DOI: 10.1353/not.2019.0080
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  1. Music Received
  2. Kathleen A. Abromeit
  3. pp. 169-175
  4. DOI: 10.1353/not.2019.0089
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