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In this Issue

Table of Contents

  1. A Letter from the Editors
  2. Caleb Nelson, Su Cho, Ae Hee Lee
  3. pp. 6-7
  4. DOI: https://doi.org/10.1353/ccr.2019.0000
  5. restricted access

poetry

  1. Futility
  2. Robin Rosen Chang
  3. p. 8
  4. DOI: https://doi.org/10.1353/ccr.2019.0008
  5. restricted access
  1. sea creature
  2. Farryl Last
  3. p. 9
  4. DOI: https://doi.org/10.1353/ccr.2019.0021
  5. restricted access
  1. a black poet quotes zora neale hurston's "i feel most [black] when i am thrown against a sharp white background" at the beginning of a reading and the white people in the crowd applaud so loud i can't hear myself
  2. Marlin M. Jenkins
  3. pp. 10-11
  4. DOI: https://doi.org/10.1353/ccr.2019.0019
  5. restricted access
  1. Longings
  2. Jessica Murray
  3. p. 22
  4. DOI: https://doi.org/10.1353/ccr.2019.0025
  5. restricted access
  1. Occupations
  2. Brian Clifton
  3. pp. 25-26
  4. DOI: https://doi.org/10.1353/ccr.2019.0009
  5. restricted access
  1. Some useful [military] standard Arabic phrases
  2. Tarik Dobbs
  3. p. 27
  4. DOI: https://doi.org/10.1353/ccr.2019.0011
  5. restricted access
  1. Chief Keef Breaks Down the Alphabet For the Coroner, and: BOI BI
  2. Kwabena Foli
  3. pp. 30-31
  4. DOI: https://doi.org/10.1353/ccr.2019.0012
  5. restricted access
  1. Sometimes I Believe I'm a Moroccan Poet Exiled on Mars
  2. Myronn Hardy
  3. p. 32
  4. DOI: https://doi.org/10.1353/ccr.2019.0016
  5. restricted access
  1. Another Subject of the Patterson-Gimlin Film
  2. Michael Pontacoloni
  3. p. 39
  4. DOI: https://doi.org/10.1353/ccr.2019.0027
  5. restricted access
  1. Landscape with Drowning Woman
  2. Claire Scott
  3. p. 40
  4. DOI: https://doi.org/10.1353/ccr.2019.0029
  5. restricted access
  1. The Book of Revelation
  2. Brandon Thurman
  3. pp. 43-45
  4. DOI: https://doi.org/10.1353/ccr.2019.0032
  5. restricted access
  1. Nagkakanduling sa salapi
  2. Ivy Alvarez
  3. p. 46
  4. DOI: https://doi.org/10.1353/ccr.2019.0001
  5. restricted access
  1. Erased
  2. Maria Terrone
  3. p. 47
  4. DOI: https://doi.org/10.1353/ccr.2019.0030
  5. restricted access
  1. Greetings from Oklahoma
  2. Mischelle Anthony
  3. p. 57
  4. DOI: https://doi.org/10.1353/ccr.2019.0003
  5. restricted access
  1. Almost April
  2. Max Schleicher
  3. p. 60
  4. DOI: https://doi.org/10.1353/ccr.2019.0028
  5. restricted access
  1. The Jellyfish and the Menstrual Cup
  2. Emmy Newman
  3. p. 61
  4. DOI: https://doi.org/10.1353/ccr.2019.0026
  5. restricted access
  1. What Men are Made Of, and: Again the Mind Apart
  2. Justin Wymer
  3. pp. 71-72
  4. DOI: https://doi.org/10.1353/ccr.2019.0036
  5. restricted access
  1. Thaw
  2. Jihyun Yun
  3. p. 73
  4. DOI: https://doi.org/10.1353/ccr.2019.0037
  5. restricted access
  1. Summer Fires
  2. Christina Lee
  3. p. 86
  4. DOI: https://doi.org/10.1353/ccr.2019.0022
  5. restricted access
  1. Special occasions
  2. Sanjana Bijlani
  3. p. 87
  4. DOI: https://doi.org/10.1353/ccr.2019.0006
  5. restricted access
  1. Wishing I Were Barbie
  2. Robert Julius
  3. pp. 92-93
  4. DOI: https://doi.org/10.1353/ccr.2019.0020
  5. restricted access
  1. Imploded Villanelle
  2. Aldo Amparán
  3. p. 94
  4. DOI: https://doi.org/10.1353/ccr.2019.0002
  5. restricted access

fiction

  1. The Sun That Does Not Rise
  2. Cathy Ulrich
  3. pp. 23-24
  4. DOI: https://doi.org/10.1353/ccr.2019.0035
  5. restricted access
  1. Young Susan
  2. Becky Hagenston
  3. pp. 33-38
  4. DOI: https://doi.org/10.1353/ccr.2019.0014
  5. restricted access
  1. Fist
  2. Gabriel Houck
  3. pp. 41-42
  4. DOI: https://doi.org/10.1353/ccr.2019.0018
  5. restricted access
  1. Spit If You Call It Fear
  2. Tyler Barton
  3. pp. 48-56
  4. DOI: https://doi.org/10.1353/ccr.2019.0004
  5. restricted access
  1. Yellow Like Homecoming
  2. Julia Hands
  3. pp. 64-70
  4. DOI: https://doi.org/10.1353/ccr.2019.0015
  5. restricted access
  1. Llamas
  2. Blake Cass
  3. pp. 74-85
  4. DOI: https://doi.org/10.1353/ccr.2019.0007
  5. restricted access
  1. Will-o'-the-Wisp
  2. George Looney
  3. pp. 90-91
  4. DOI: https://doi.org/10.1353/ccr.2019.0023
  5. restricted access

I/0

  1. We Knew the Glass Man
  2. John McDaid
  3. pp. 98-108
  4. DOI: https://doi.org/10.1353/ccr.2019.0024
  5. restricted access
  1. Four Guillemets
  2. Loss Pequeño Glazier
  3. pp. 110-115
  4. DOI: https://doi.org/10.1353/ccr.2019.0013
  5. restricted access

non-fiction

  1. The Sound of an Imitated Ocean
  2. Paige Towers
  3. pp. 12-21
  4. DOI: https://doi.org/10.1353/ccr.2019.0034
  5. restricted access
  1. Metamorphs
  2. Adriane Tharp
  3. pp. 62-63
  4. DOI: https://doi.org/10.1353/ccr.2019.0031
  5. restricted access

art

  1. Bumble Cage, and: Skirting the Issue
  2. Angie Hedman
  3. pp. 28-29
  4. DOI: https://doi.org/10.1353/ccr.2019.0017
  5. restricted access
  1. Motorbike, and: Untitled
  2. Guilherme Bergamini
  3. pp. 58-59
  4. DOI: https://doi.org/10.1353/ccr.2019.0005
  5. restricted access
  1. Spring is Coming, and: Together
  2. Agniya Tolstokulakova
  3. pp. 88-89
  4. DOI: https://doi.org/10.1353/ccr.2019.0033
  5. restricted access

Contributor Biographies

  1. Contributor Biographies
  3. pp. 116-121
  4. DOI: https://doi.org/10.1353/ccr.2019.0010
  5. restricted access