1. Editorial Comment: Theatre and the Nonhuman
  2. Jen Parker-Starbuck
  3. pp. xi-xvi
  4. DOI: 10.1353/tj.2019.0078
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  1. How Do You Know a Mermaid When You See One? How Do You See a Mermaid When You Know One?
  2. Tracy C. Davis
  3. pp. 257-288
  4. DOI: 10.1353/tj.2019.0079
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  1. Sinner Scorpions and Erotic Women: Interspecies Imaginaries in Indian Song-and-Dance Sequences
  2. Rishika Mehrishi
  3. pp. 289-306
  4. DOI: 10.1353/tj.2019.0082
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  1. Mediated Transgression and Madame White: Technology and the Nonhuman in Contemporary Stagings of a Chinese Folktale
  2. Tarryn Li-Min Chun
  3. pp. 307-326
  4. DOI: 10.1353/tj.2019.0083
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  1. Beyond the Scenic: Trees as Participants in Theatre and Performance
  2. Megan De Roover
  3. pp. 327-346
  4. DOI: 10.1353/tj.2019.0084
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  1. Enveloping the Nonhuman: Australian Aboriginal Performance
  2. Peta Tait
  3. pp. 347-363
  4. DOI: 10.1353/tj.2019.0085
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  1. The White Album by Joan Didion (review)
  2. Christian DuComb
  3. pp. 365-366
  4. DOI: 10.1353/tj.2019.0086
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  1. Pussy Riot (review)
  2. Jonathan Chambers
  3. pp. 366-368
  4. DOI: 10.1353/tj.2019.0087
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  1. Mount Olympus: To Glorify the Cult of Tragedy by Jan Fabre (review)
  2. R. Darren Gobert
  3. pp. 369-373
  4. DOI: 10.1353/tj.2019.0088
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  1. Coriolanus by William Shakespeare (review)
  2. Drew Lichtenberg
  3. pp. 373-376
  4. DOI: 10.1353/tj.2019.0056
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  1. Power and Beauty in China's Last Dynasty by Robert Wilson (review)
  2. Margaret Werry
  3. pp. 376-378
  4. DOI: 10.1353/tj.2019.0057
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  1. Analogy Trilogy dir. by Bill T. Jones (review)
  2. Ariel Nereson
  3. pp. 378-380
  4. DOI: 10.1353/tj.2019.0058
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  1. Séancers by Jaamil Olawale Kosoko (review)
  2. Daniella Vinitski Mooney
  3. pp. 380-382
  4. DOI: 10.1353/tj.2019.0059
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  1. Estado Vegetal by Manuela Infante and Marcela Salinas (review)
  2. Alexandra Ripp
  3. pp. 382-384
  4. DOI: 10.1353/tj.2019.0060
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  1. Peter Pan by Leonard Bernstein (review)
  2. Sean F. Edgecomb
  3. pp. 384-386
  4. DOI: 10.1353/tj.2019.0061
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  1. The Maids by Jean Genet (review)
  2. Sarah Crockarell
  3. pp. 386-388
  4. DOI: 10.1353/tj.2019.0062
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  1. Another Woman's Baby by Julie Rae Mollenkamp (review)
  2. Carrie Winship
  3. pp. 388-390
  4. DOI: 10.1353/tj.2019.0063
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  1. Consent by Nina Raine (review)
  2. Anna Andes
  3. pp. 390-392
  4. DOI: 10.1353/tj.2019.0064
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  1. Three Sisters by Anton Chekhov (review)
  2. Greer Gerni
  3. pp. 392-394
  4. DOI: 10.1353/tj.2019.0065
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  1. A Warning for Fair Women dir. by Brent Griffin (review)
  2. Emma Katherine Atwood
  3. pp. 394-396
  4. DOI: 10.1353/tj.2019.0066
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  1. Eclipse of Action: Tragedy and Political Economy by Richard Halpern (review)
  2. Crystal Bartolovich
  3. pp. 397-398
  4. DOI: 10.1353/tj.2019.0067
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  1. The Birth of Theater from the Spirit of Philosophy: Nietzsche and the Modern Drama by David Kornhaber (review)
  2. David Krasner
  3. pp. 399-400
  4. DOI: 10.1353/tj.2019.0068
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  1. Troy, Carthage and the Victorians: The Drama of Classical Ruins in the Nineteenth-Century Imagination by Rachel Bryant Davies (review)
  2. David Mayer
  3. pp. 400-401
  4. DOI: 10.1353/tj.2019.0069
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  1. Theatre and Governance in Britain, 1500–1900: Democracy, Discourse and The State by Tony Fisher (review)
  2. Jim Davis
  3. pp. 401-402
  4. DOI: 10.1353/tj.2019.0070
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  1. Performing Queer Modernism by Penny Farfan (review)
  2. Ben De Witte
  3. pp. 403-404
  4. DOI: 10.1353/tj.2019.0071
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  1. Freak Performances: Dissidence in Latin American Theater by Analola Santana (review)
  2. Kirsten F. Nigro
  3. pp. 404-405
  4. DOI: 10.1353/tj.2019.0072
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  1. Terrence McNally and Fifty Years of American Gay Drama by John M. Clum (review)
  2. Robert A. Schanke
  3. pp. 405-406
  4. DOI: 10.1353/tj.2019.0073
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  1. The Freedom Theatre: Performing Cultural Resistance in Palestine ed. by Ola Johansson and Johanna Wallin (review)
  2. Rand T. Hazou
  3. pp. 406-408
  4. DOI: 10.1353/tj.2019.0074
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  1. Medical Clowning: The Healing Performance by Amnon Raviv (review)
  2. Dave Peterson
  3. pp. 408-409
  4. DOI: 10.1353/tj.2019.0075
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  1. Recalling Recitation in the Americas: Borderless Curriculum, Performance Poetry, and Reading by Janet Neigh (review)
  2. Philipp Reisner
  3. pp. 409-410
  4. DOI: 10.1353/tj.2019.0076
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  1. The Ethics of Interspecies Performance: Empathy beyond Analogy in Fevered Sleep's Sheep Pig Goat
  2. Laura Cull Ó Maoilearca
  3. pp. E-1-E-22
  4. DOI: 10.1353/tj.2019.0077
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  1. How Do You Know a Mermaid When You See One? How Do You See a Mermaid When You Know One? A Photo Essay
  2. Tracy C. Davis
  3. pp. E-23-E-54
  4. DOI: 10.1353/tj.2019.0080
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  1. The Legend of the White Snake across Mediums
  2. Tarryn Li-Min Chun
  3. pp. E-55-E-59
  4. DOI: 10.1353/tj.2019.0081
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