1. From the Editor
  2. Siyuan Liu
  3. pp. v-vi
  4. DOI: 10.1353/atj.2019.0026
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  1. Performing Commemoration: The Cultural Politics of Locating Tang Xianzu and Shakespeare
  2. Alexa Alice Joubin
  3. pp. 275-280
  4. DOI: 10.1353/atj.2019.0024
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  1. Intercultural and Cross-cultural Encounters during the Quatercentenary of Tang Xianzu and Shakespeare
  2. Mary Mazzilli
  3. pp. 281-301
  4. DOI: 10.1353/atj.2019.0027
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  1. Looking for Common Ground: A Thematic Comparison between Tang Xianzu's and Shakespeare's Dramatic Imagination
  2. Letizia Fusini
  3. pp. 302-326
  4. DOI: 10.1353/atj.2019.0028
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  1. Engaging Tang Xianzu and Shakespeare in the Quest for Self
  2. Liana Chen
  3. pp. 327-346
  4. DOI: 10.1353/atj.2019.0029
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  1. Pansori Hamlet Project: Taroo's New Pansori Shakespeare for the Local Audience
  2. Seokhun Choi
  3. pp. 349-369
  4. DOI: 10.1353/atj.2019.0025
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  1. Politics and Tactics in Revolutionary Performance: A Sino-Burmese Arts Troupe in Transnational Circulation
  2. Tasaw Hsin-chun Lu
  3. pp. 370-394
  4. DOI: 10.1353/atj.2019.0030
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  1. Bhuta Kola Ritual Performances: Locating Aesthetics in Collective Memory and Shared Experience
  2. Meera Baindur, Tapaswi H M
  3. pp. 395-415
  4. DOI: 10.1353/atj.2019.0031
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  1. Tradition and Modernity: Two Modern Adaptations of the Chinese Opera Hezhu's Match
  2. Shiao-ling Yu
  3. pp. 416-438
  4. DOI: 10.1353/atj.2019.0032
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  1. Applying/Contesting the Brechtian "Model": Calcutta Repertory Theatre's Galileor Jibon (Life of Galileo)
  2. Dwaipayan Chowdhury
  3. pp. 439-452
  4. DOI: 10.1353/atj.2019.0033
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  1. Performing Intercultural Trauma: State, Land, and Women in Troy, Troy… Taiwan
  2. Sophia Yashih Liu
  3. pp. 453-471
  4. DOI: 10.1353/atj.2019.0034
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  1. Spaces of Citizenship in Contemporary Singaporean Theatre: Staging the 2011 General Election
  2. Nathan F. Bullock
  3. pp. 472-489
  4. DOI: 10.1353/atj.2019.0035
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  1. Women in Asian Performance: Aesthetics and Politics ed. by Arya Madhavan (review)
  2. Valerie Williams
  3. pp. 492-495
  4. DOI: 10.1353/atj.2019.0037
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  1. Embodied Reckonings: "Comfort Women," Performance, and Transpacific Redress by Elizabeth W. Son (review)
  2. Jungmin Song
  3. pp. 496-498
  4. DOI: 10.1353/atj.2019.0038
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  1. The Spatiality of Emotion in Early Modern China: From Dreamscapes to Theatricality by Ling Hon Lam (review)
  2. Jasmine Yu-Hsing Chen
  3. pp. 498-502
  4. DOI: 10.1353/atj.2019.0039
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  1. Journey of A Goddess: Chen Jinggu Subdues the Snake Demon transed. by Fan Pen Li Chen (review)
  2. Kathy Foley
  3. pp. 502-505
  4. DOI: 10.1353/atj.2019.0040
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  1. Staging China: New Theatres in the Twenty-First Century ed. by Li Ruru (review)
  2. Allison Bernard
  3. pp. 505-508
  4. DOI: 10.1353/atj.2019.0041
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  1. The Avant-Garde and the Popular in Modern China: Tian Han and the Intersection of Performance and Politics by Liang Luo (review)
  2. Anne Rebull
  3. pp. 509-512
  4. DOI: 10.1353/atj.2019.0042
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  1. Translocal Performance in Asian Theatre and Film by Iris H. Tuan (review)
  2. Annie Katsura Rollins
  3. pp. 512-513
  4. DOI: 10.1353/atj.2019.0043
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  1. A Korean Approach to Actor Training by Jeungsook Yoo (review)
  2. John D. Swain
  3. pp. 517-520
  4. DOI: 10.1353/atj.2019.0045
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  1. A Rasa Reader by Sheldon Pollock (review)
  2. David Mason
  3. pp. 521-524
  4. DOI: 10.1353/atj.2019.0046
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  1. Traversing Tradition: Celebrating Dance in India ed. by Urmimala Sarkar Munsi and Stephanie Burridge (review)
  2. Jashodhara Sen
  3. pp. 524-528
  4. DOI: 10.1353/atj.2019.0047
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  1. This Is How We Dance Now! Performance in the Age of Bollywood and Reality Shows by Pallabi Chakravorty (review)
  2. Kristen D. Rudisill
  3. pp. 528-531
  4. DOI: 10.1353/atj.2019.0048
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  1. Islamic Modernities In Southeast Asia: Exploring Indonesian Popular and Visual Culture by Leonie Schmidt (review)
  2. Jennifer Goodlander
  3. pp. 531-535
  4. DOI: 10.1353/atj.2019.0049
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  1. Contemporary Plays from Iraq transed. by A. Al-Azraki and James Al-Shamma (review)
  2. Hesam Sharifian
  3. pp. 535-538
  4. DOI: 10.1353/atj.2019.0050
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