1. Introduction: Leaving Crusoe's Island
  2. Robert Markley
  3. pp. 1-8
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  1. A Table in the Wilderness: Desire, Subjectivity, and Animal Husbandry in Robinson Crusoe
  2. Paul Kelleher
  3. pp. 9-29
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  1. Plague's Ecologies: Daniel Defoe and the Epidemic Constitution
  2. Christopher F. Loar
  3. pp. 31-53
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  1. Crusoe's Animals, Annotated: Cats, Dogs, and Disease in the Naval Chronicle Edition of Robinson Crusoe, 1815
  2. Lucinda Cole
  3. pp. 55-78
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  1. Inexhaustible Mines and Post-lapsarian Decay: The End of Improvement in Defoe's Tour
  2. Bethany Williamson
  3. pp. 79-99
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  1. From Fleece to Fleets; or, Wool and the Production of Wonder
  2. Tita Chico
  3. pp. 101-121
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  1. Transformations of Gender and Race in Maria Riddell's Transatlantic Biopolitics
  2. Melissa Bailes
  3. pp. 123-144
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  1. The Scottish Picaresque, Surveying, and Socio-environmental Nexuses in Mungo Park's Travels in the Interior Districts of Africa
  2. Denys Van Renen
  3. pp. 145-168
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  1. Mapping the Great Lakes: The Somageography of Water and Land, 1615–1828
  2. Michael Simeone, Christopher Morris, Kenton McHenry, Robert Markley
  3. pp. 169-194
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  1. The Oxford Handbook of the Eighteenth-Century Novel ed. by J.A. Downie (review)
  2. Kristina Booker
  3. pp. 197-200
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  1. Prose Fiction in English from the Origins of Print to 1750 ed. by Thomas Keymer (review)
  2. Jakub Lipski
  3. pp. 200-203
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  1. The Savage and Modern Self: North American Indians in Eighteenth-Century British Literature and Culture by Robbie Richardson (review)
  2. Christopher M. Stampone
  3. pp. 203-205
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  1. Austen, Actresses, and Accessories: Much Ado about Muffs by Laura Engel (review)
  2. Heather Ladd
  3. pp. 206-208
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  1. Novel Ventures: Fiction and Print Culture in England, 1690–1730 by Leah Orr (review)
  2. Coby Dowdell
  3. pp. 208-210
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  1. Work in Hand: Script, Print, and Writing, 1690–1840 by Aileen Douglas (review)
  2. Melanie Bigold
  3. pp. 211-213
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  1. Changing Sentiments and the Magdalen Hospital: Luxury, Virtue and the Senses in Eighteenth-Century Culture by Mary Peace (review)
  2. Katherine Binhammer
  3. pp. 213-216
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  1. Interacting with Print: Elements of Reading in the Era of Print Saturation by The Multigraph Collective (review)
  2. Bethany E. Qualls
  3. pp. 218-221
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  1. Feeling Things: Objects and Emotions through History ed. by Stephanie Downes, Sally Holloway, and Sarah Randles (review)
  2. Samuel Diener
  3. pp. 221-223
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  1. Reading Jane Austen by Jenny Davidson (review)
  2. Jodi L. Wyett
  3. pp. 223-225
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  1. Liberty in Jane Austen's "Persuasion" by Kathryn E. Davis (review)
  2. Lise Gaston
  3. pp. 226-228
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  1. Les Incas, ou la destruction de l'Empire du Pérou par de Jean-François Marmontel (review)
  2. Luciano Pellegrini
  3. pp. 228-231
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  1. Pets and Their Couples: Chardin, Charrière, Bernardin de Saint-Pierre, and Marivaux par Servanne Woodward (review)
  2. Christophe Martin
  3. pp. 231-232
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  1. Le Mauvais goût des autres: Le jugement littéraire dans la France du XVIIIe siècle by Jennifer Tsien (review)
  2. Ann T. Delehanty
  3. pp. 233-235
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  1. The Illiberal Imagination: Class and the Rise of the U.S. Novel by Joe Shapiro (review)
  2. Jennifer Harris
  3. pp. 235-237
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  1. Liquid Landscape: Geography and Settlement at the Edge of Early America by Michele Currie Navakas (review)
  2. Lauren E. LaFauci
  3. pp. 237-239
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  1. The Rise of Animals and Descent of Man, 1660–1800: Toward Posthumanism in British Literature between Descartes and Darwin by John Morillo (review)
  2. Lisbeth Chapin
  3. pp. 240-242
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  1. Memoirs on the Life and Travels of Thomas Hammond, 1748–1775 by Thomas Hammond (review)
  2. Conrad Brunström
  3. pp. 242-244
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