1. Poe, Sympathetic Ink, and Chemical Landscapes in Nineteenth-Century America
  2. Daniel Diez Couch
  3. pp. 1-26
  4. DOI: 10.1353/arq.2019.0015
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  1. Decolonizing Food: Transgressive Eating in Junot Díaz’s Drown
  2. Penny Vlagopoulos
  3. pp. 27-58
  4. DOI: 10.1353/arq.2019.0016
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  1. Why Hate the Internet?: Contemporary Fiction, Digital Culture, and the Politics of Social Media
  2. Michael F. Miller
  3. pp. 59-85
  4. DOI: 10.1353/arq.2019.0017
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  1. Capture Theory: Battling with Tropes in T.S. Eliot’s The Waste Land
  2. Owojecho Omoha
  3. pp. 87-107
  4. DOI: 10.1353/arq.2019.0012
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  1. Under Pressure: Reading Material Textuality in the Recovery of Early African American Print Work
  2. Jonathan Senchyne
  3. pp. 109-132
  4. DOI: 10.1353/arq.2019.0013
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  1. Contributors
  2. pp. 133-134
  3. DOI: 10.1353/arq.2019.0014
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