1. Editor's Note: Louis Round Wilson Prize for 2018
  2. Reid Barbour
  3. p. i
  4. DOI: 10.1353/sip.2019.0024
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  1. "Love that oughte ben secree": Secrecy and Alternate Endings in Chaucer's Troilus and Criseyde
  2. Dyani Johns Taff
  3. pp. 617-639
  4. DOI: 10.1353/sip.2019.0025
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  1. "Ech good gramarien hath power to construe Scripture": Grammar and the Vernacular in the Theology of Reginald Pecock
  2. Erin K. Wagner
  3. pp. 640-667
  4. DOI: 10.1353/sip.2019.0026
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  1. A Song of Silence: Plaintive Dissonance and Neoteric Method in Spenser's Daphnaïda
  2. Melissa J. Rack
  3. pp. 668-695
  4. DOI: 10.1353/sip.2019.0027
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  1. Music at the Close: Richard II in the Elizabethan Anthologies
  2. Ted Tregear
  3. pp. 696-727
  4. DOI: 10.1353/sip.2019.0028
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  1. A Widow's Will: Adapting the Duchess of Amalfi in Early Modern England and Spain
  2. Rachel E. Holmes
  3. pp. 728-757
  4. DOI: 10.1353/sip.2019.0029
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  1. Typology, Politics, and Theology in Paradise Regained and Samson Agonistes
  2. Patrick J. McGrath
  3. pp. 758-783
  4. DOI: 10.1353/sip.2019.0030
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  1. Henry Fielding's Last Bow at Colley Cibber
  2. Anaclara Castro-Santana
  3. pp. 784-810
  4. DOI: 10.1353/sip.2019.0031
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  1. Contents of Volume 116
  2. pp. 811-812
  3. DOI: 10.1353/sip.2019.0032
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  1. Studies in Philology: Texts and Studies Issues
  2. p. 815
  3. DOI: 10.1353/sip.2019.0033
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