1. Why must Marcel write? Time as a Justification for Literature in À la Recherche du Temps Perdu
  2. Paula Marchesini
  3. pp. 261-281
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  1. “Everything and nothing”: Liminality in Diana Gabaldon’s Outlander
  2. Mary-Anne Potter
  3. pp. 282-296
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  1. Writing as Discovery: Investigating a Hidden Component of Scholarly Method
  2. Paul Magee
  3. pp. 297-319
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  1. Comedy of the Studio: Daguerreotype, or I Know all These Faces (1850) by Vladimir Sollogub and Peter Karatygin
  2. Joanna Madloch
  3. pp. 320-337
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  1. Jean Starobinski and the Critical Gaze
  2. Peter Shum
  3. pp. 338-358
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  1. Home and Exile: Listening for Contrapuntal Irony in Don Juan
  2. Robert L. Berger
  3. pp. 359-381
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