1. ‘No Mowth Can Speke Hit’: Silence and Inexpressibility in Sir Thomas Malory’s Morte Darthur
  2. Alicia A. McCartney
  3. pp. 3-24
  4. DOI: 10.1353/art.2019.0037
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  1. How King Arthur Invented Christmas: Reimagining Arthur and Rome in Early Modern Scotland and England
  2. Kenneth Hodges
  3. pp. 25-42
  4. DOI: 10.1353/art.2019.0036
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  1. Chivalric Labor, Artisanal Labor, and the Productive Strike in The Knightly Tale of Gologras and Gawain
  2. Schuyler Eastin
  3. pp. 43-65
  4. DOI: 10.1353/art.2019.0035
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  1. Medieval Narratives of Alexander the Great: Transnational Texts in England and France by Venetia Bridges (review)
  2. Levilson C. Reis
  3. pp. 105-106
  4. DOI: 10.1353/art.2019.0029
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  1. Teaching the Italian Renaissance Romance Epic ed. by Jo Ann Cavallo (review)
  2. Gloria Allaire
  3. pp. 106-109
  4. DOI: 10.1353/art.2019.0033
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  1. Shaping the Archive in Late Medieval England: History, Poetry, and Performance by Sarah Elliott Novacich (review)
  2. Daniel Sawyer
  3. pp. 110-111
  4. DOI: 10.1353/art.2019.0030
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  1. Medieval and Early Modern Murder: Legal, Literary, and Historical Contexts ed. by Larissa Tracy (review)
  2. Benjamin A. Saltzman
  3. pp. 111-112
  4. DOI: 10.1353/art.2019.0031
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  1. The Nibelungenlied: with The Klage ed. by William T. Whobrey (review)
  2. Michael Resler
  3. pp. 112-114
  4. DOI: 10.1353/art.2019.0032
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