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In this Issue

Table of Contents

  1. Editor’s Note
  2. Christopher Keep
  3. pp. v-vi
  4. DOI: https://doi.org/10.1353/vcr.2019.0008
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  1. The Victorian Short Story Forum: An Introduction
  2. Victoria Margree
  3. pp. 163-166
  4. DOI: https://doi.org/10.1353/vcr.2019.0019
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  1. Mary Elizabeth Braddon’s “Ralph the Bailiff ”: Speaking Truth to Madness
  2. Brittany Roberts
  3. pp. 166-170
  4. DOI: https://doi.org/10.1353/vcr.2019.0013
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  1. Florence Marryat’s “The Box with the Iron Clamps”: Pent-Up Grief and Guilt
  2. Tatiana Kontou
  3. pp. 170-173
  4. DOI: https://doi.org/10.1353/vcr.2019.0011
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  1. Ada Trevanion’s “A Ghost Story”: Queered Haunting and the “Mysterious Inmate” of Woodford House
  2. H.J.E. Champion
  3. pp. 174-177
  4. DOI: https://doi.org/10.1353/vcr.2019.0002
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  1. Elizabeth Gaskell’s Cranford: Performing Masculinity
  2. Carolyn Lambert
  3. pp. 177-182
  4. DOI: https://doi.org/10.1353/vcr.2019.0009
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  1. Christina Rossetti’s “A Safe Investment”: Commodity Fetishism and the Problem of Materialism
  2. Caroline Baylis-Green
  3. pp. 182-186
  4. DOI: https://doi.org/10.1353/vcr.2019.0006
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  1. Arthur Conan Doyle’s “His First Operation”: The Short Story as Medical Casebook
  2. Zoé Hardy
  3. pp. 186-189
  4. DOI: https://doi.org/10.1353/vcr.2019.0005
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  1. Ella Hepworth Dixon’s My Flirtations: The New Woman and the Marriage Market
  2. Valerie Fehlbaum
  3. pp. 189-192
  4. DOI: https://doi.org/10.1353/vcr.2019.0010
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  1. Sarah Grand’s “When the Door Opened__”: Latchkeys, Liberty, and Liminality
  2. Anne-Marie Beller
  3. pp. 192-196
  4. DOI: https://doi.org/10.1353/vcr.2019.0014
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  1. Subjective Realism and Diligent Imagination: G.H. Lewes’s Theory of Psychology and George Eliot’s Impressions of Theophrastus Such
  2. Scott C. Thompson
  3. pp. 197-214
  4. DOI: https://doi.org/10.1353/vcr.2019.0016
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  1. Aiming to Hit: Archery, Agency, and Doing as One Likes in Daniel Deronda
  2. Andrew Forrester
  3. pp. 215-231
  4. DOI: https://doi.org/10.1353/vcr.2019.0003
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  1. Alice in Wonderland’s Animal Pedagogy: Governmentality and Alternative Subjectivity in Mid-Victorian Liberal Education
  2. Anna Feuerstein
  3. pp. 233-250
  4. DOI: https://doi.org/10.1353/vcr.2019.0004
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  1. “More Aerial, More Graceful, More Perfect”: Madame Vestris’s Oberon, Victorian Culture, and the Feminized Fairies of A Midsummer Night’s Dream, 1840–1914
  2. Marija Reiff
  3. pp. 251-268
  4. DOI: https://doi.org/10.1353/vcr.2019.0000
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  1. Transport and Anxiety over the Music of the Future: Swinburne and Pfeiffer on Wagner’s Lohengrin Prelude
  2. Karen Dieleman
  3. pp. 269-280
  4. DOI: https://doi.org/10.1353/vcr.2019.0020
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  1. Ladies’ Greek: Victorian Translations of Tragedy by Yopie Prins (review)
  2. Shanyn Fiske
  3. pp. 285-287
  4. DOI: https://doi.org/10.1353/vcr.2019.0012
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  1. Seeming Human: Artificial Intelligence and Victorian Realist Character by Megan Ward (review)
  2. Tara MacDonald
  3. pp. 287-290
  4. DOI: https://doi.org/10.1353/vcr.2019.0015
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  1. The Promise of the Suburbs: A Victorian History in Literature and Culture by Sarah Bilston (review)
  2. Paisley Mann
  3. pp. 290-292
  4. DOI: https://doi.org/10.1353/vcr.2019.0018
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  1. The Complete Works of Oscar Wilde: Volume VIII: The Short Fiction ed. by Ian Small (review)
  2. John Peters
  3. pp. 293-294
  4. DOI: https://doi.org/10.1353/vcr.2019.0017
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  1. A Micro-History of Victorian Liberal Parenting: John Morley’s “Discreet Indifference” by Kevin A. Morrison (review)
  2. Adam Tamas Tuboly
  3. pp. 294-296
  4. DOI: https://doi.org/10.1353/vcr.2019.0001
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  1. Contributors
  3. pp. 297-300
  4. DOI: https://doi.org/10.1353/vcr.2019.0007
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