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In this Issue

Table of Contents

Foreword

  1. Introduction: The Holocaust in French and Francophone Literature (1997–2017)
  2. Helena Duffy
  3. pp. 1-11
  4. DOI: https://doi.org/10.1353/frf.2019.0000
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The Second Generation: France

  1. Shadow Play: Patrick Modiano and the Legacy of the Holocaust
  2. Alan Morris
  3. pp. 13-28
  4. DOI: https://doi.org/10.1353/frf.2019.0001
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  1. “Les Années noires avaient été grises:” : A Meta-Ethical Examination of Pierre Assouline’s Appropriation of Primo Levi’s Concept of the “Grey Zone”
  2. Helena Duffy
  3. pp. 29-44
  4. DOI: https://doi.org/10.1353/frf.2019.0002
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The Third Generation: France

  1. “Un train peut en cacher un autre.” : Entretien avec Arnaud Rykner à propos du Wagon (2010)
  2. Helena Duffy
  3. pp. 45-53
  4. DOI: https://doi.org/10.1353/frf.2019.0003
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  1. Une troisième génération réparatrice?
  2. Aurélie Barjonet
  3. pp. 55-70
  4. DOI: https://doi.org/10.1353/frf.2019.0004
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  1. La Shoah dans la narration ambiguë. : Un amour sans résistance de Gilles Rozier
  2. Anna Maziarczyk
  3. pp. 71-85
  4. DOI: https://doi.org/10.1353/frf.2019.0005
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  1. Prosthetic and Palimpsestic Play in Agnès Desarthe’s Le Remplaçant (2009): Revisiting the Holocaust
  2. Susan Bainbrigge
  3. pp. 87-101
  4. DOI: https://doi.org/10.1353/frf.2019.0006
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Other Genres

  1. Les “Gardiens de la mémoire”: la Shoah dans la poésie francophone contemporaine
  2. Gary D. Mole
  3. pp. 103-118
  4. DOI: https://doi.org/10.1353/frf.2019.0007
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  1. Re/trouver sa place dans l’H/histoire: perspectives postmémorielles dans Deuxième génération: Ce que je n’ai pas dit à mon père de Michel Kichka
  2. Cynthia Laborde
  3. pp. 119-131
  4. DOI: https://doi.org/10.1353/frf.2019.0008
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Beyond France

  1. Please Watch Responsibly: The Ethical Responsibility of the Viewer in Amélie Nothomb’s Acide sulfurique
  2. Avril Tynan
  3. pp. 133-147
  4. DOI: https://doi.org/10.1353/frf.2019.0009
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  1. The Holocaust, Memory, and Race in Natacha Appanah’s Le Dernier Frère
  2. Nanar Khamo
  3. pp. 149-161
  4. DOI: https://doi.org/10.1353/frf.2019.0010
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  1. From Buchenwald to Port-au-Prince: Becoming Haitian in the Holocaust: Louis-Philippe Dalembert’s Avant que les ombres s’effacent
  2. John Patrick Walsh
  3. pp. 163-178
  4. DOI: https://doi.org/10.1353/frf.2019.0011
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The Return of the Survivor

  1. La mort qu’il faut: Semprun and Writing after Death
  2. Liran Razinsky
  3. pp. 179-194
  4. DOI: https://doi.org/10.1353/frf.2019.0012
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Book Reviews

  1. Vivre Ici: Space, Place, and Experience in Contemporary French Documentary by Alison J. Murray Levine (review)
  2. Anne Cirella-Urrutia
  3. pp. 195-197
  4. DOI: https://doi.org/10.1353/frf.2019.0013
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  1. Love’s Wounds: Violence and the Politics of Poetry in Early Modern Europe by Cynthia Nazarian (review)
  2. Hassan Melehy
  3. pp. 197-201
  4. DOI: https://doi.org/10.1353/frf.2019.0014
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  1. Sexual Crime, Religion and Masculinity in Fin-de-siècle France: The Flamidien Affair by Timothy Verhoeven (review)
  2. Aaron Freundschuh
  3. pp. 201-204
  4. DOI: https://doi.org/10.1353/frf.2019.0015
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__________

  1. Books Received
  3. pp. 205-206
  4. DOI: https://doi.org/10.1353/frf.2019.0016
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