1. Paper Bombs: The Blitz and the Aesthetics of Salvage
  2. Joseph Elkanah Rosenberg
  3. pp. 455-481
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  1. Signifying Genre: George S. Schuyler and the Vagaries of Black Pulp
  2. Brooks E. Hefner
  3. pp. 483-504
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  1. Conservative Circuits: Hugh Kenner, Modernism, and National Review
  2. Stephen Schryer
  3. pp. 505-520
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  1. Stars Without a World
  2. Scott J. Juengel
  3. pp. 521-542
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  1. Modernism’s Opposite: John Galsworthy and the Novel Series
  2. Matthew Levay
  3. pp. 543-562
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  1. Facts and Fantasies: Photography and Camouflage in 1930s Italian Illustrated Media
  2. Maria Antonella Pelizzari
  3. pp. 563-594
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  1. Picasso, Comics, and Cultural Divides: Why Krazy Kat Is a Kubist Kat
  2. Kevin Cooley
  3. pp. 595-616
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  1. “la vaste rumeur d’autrefois”: Noise, Memory, and Mediation in A la recherche du temps perdu
  2. John Attridge
  3. pp. 617-637
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  1. Spiritualizing Prostheses: Anna Coleman Ladd’s Portrait Masks for Mutilated Soldiers of World War I
  2. Aaron Shaheen
  3. pp. 639-662
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  1. At the Rembrandt Exhibit (with Proust, Woolf, and Bacon)
  2. Cedric Van Dijck
  3. pp. 663-666
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  1. Spanish Modernism and the Poetics of Youth: From Miguel de Unamuno to “La Joven Literatura” by Leslie J. Harkema (review)
  2. Ignacio Infante
  3. pp. 667-670
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  1. The Politics of 1930s British Literature by Natasha Periyan (review)
  2. Gwyn Jenkins
  3. pp. 670-673
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  1. Animal Subjects: Literature, Zoology and British Modernism by Caroline Hovanec (review)
  2. Rachel Murray
  3. pp. 673-675
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  1. Eccentric Modernisms: Making Differences in the History of American Art by Tirza True Latimer (review)
  2. Laura Guy
  3. pp. 675-677
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  1. The Dandy at Dusk: Taste and Melancholy in the Twentieth Century by Philip Mann (review)
  2. Len Gutkin
  3. pp. 678-680
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  1. Modern Arabic Literature: A Theoretical Framework by Reuven Snir (review)
  2. Anna Ziajka Stanton
  3. pp. 681-683
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  1. Recent Books of Interest
  2. pp. 685-686
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