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In this Issue

Table of Contents

  1. Paper Bombs: The Blitz and the Aesthetics of Salvage
  2. Joseph Elkanah Rosenberg
  3. pp. 455-481
  4. DOI: https://doi.org/10.1353/mod.2019.0038
  5. restricted access
  1. Signifying Genre: George S. Schuyler and the Vagaries of Black Pulp
  2. Brooks E. Hefner
  3. pp. 483-504
  4. DOI: https://doi.org/10.1353/mod.2019.0039
  5. restricted access
  1. Conservative Circuits: Hugh Kenner, Modernism, and National Review
  2. Stephen Schryer
  3. pp. 505-520
  4. DOI: https://doi.org/10.1353/mod.2019.0040
  5. restricted access
  1. Stars Without a World
  2. Scott J. Juengel
  3. pp. 521-542
  4. DOI: https://doi.org/10.1353/mod.2019.0041
  5. restricted access
  1. Modernism’s Opposite: John Galsworthy and the Novel Series
  2. Matthew Levay
  3. pp. 543-562
  4. DOI: https://doi.org/10.1353/mod.2019.0042
  5. restricted access
  1. Facts and Fantasies: Photography and Camouflage in 1930s Italian Illustrated Media
  2. Maria Antonella Pelizzari
  3. pp. 563-594
  4. DOI: https://doi.org/10.1353/mod.2019.0043
  5. restricted access
  1. Picasso, Comics, and Cultural Divides: Why Krazy Kat Is a Kubist Kat
  2. Kevin Cooley
  3. pp. 595-616
  4. DOI: https://doi.org/10.1353/mod.2019.0044
  5. restricted access
  1. “la vaste rumeur d’autrefois”: Noise, Memory, and Mediation in A la recherche du temps perdu
  2. John Attridge
  3. pp. 617-637
  4. DOI: https://doi.org/10.1353/mod.2019.0045
  5. restricted access
  1. Spiritualizing Prostheses: Anna Coleman Ladd’s Portrait Masks for Mutilated Soldiers of World War I
  2. Aaron Shaheen
  3. pp. 639-662
  4. DOI: https://doi.org/10.1353/mod.2019.0046
  5. restricted access
  1. At the Rembrandt Exhibit (with Proust, Woolf, and Bacon)
  2. Cedric Van Dijck
  3. pp. 663-666
  4. DOI: https://doi.org/10.1353/mod.2019.0047
  5. restricted access
  1. The Politics of 1930s British Literature by Natasha Periyan (review)
  2. Gwyn Jenkins
  3. pp. 670-673
  4. DOI: https://doi.org/10.1353/mod.2019.0052
  5. restricted access
  1. Animal Subjects: Literature, Zoology and British Modernism by Caroline Hovanec (review)
  2. Rachel Murray
  3. pp. 673-675
  4. DOI: https://doi.org/10.1353/mod.2019.0053
  5. restricted access
  1. Eccentric Modernisms: Making Differences in the History of American Art by Tirza True Latimer (review)
  2. Laura Guy
  3. pp. 675-677
  4. DOI: https://doi.org/10.1353/mod.2019.0050
  5. restricted access
  1. The Dandy at Dusk: Taste and Melancholy in the Twentieth Century by Philip Mann (review)
  2. Len Gutkin
  3. pp. 678-680
  4. DOI: https://doi.org/10.1353/mod.2019.0049
  5. restricted access
  1. Modern Arabic Literature: A Theoretical Framework by Reuven Snir (review)
  2. Anna Ziajka Stanton
  3. pp. 681-683
  4. DOI: https://doi.org/10.1353/mod.2019.0054
  5. restricted access
  1. Recent Books of Interest
  2. pp. 685-686
  3. restricted access