In this Issue

Table of Contents

Paper Bombs: The Blitz and the Aesthetics of Salvage

Joseph Elkanah Rosenberg
pp. 455-481
DOI: https://doi.org/10.1353/mod.2019.0038
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Signifying Genre: George S. Schuyler and the Vagaries of Black Pulp

Brooks E. Hefner
pp. 483-504
DOI: https://doi.org/10.1353/mod.2019.0039
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Conservative Circuits: Hugh Kenner, Modernism, and National Review

Stephen Schryer
pp. 505-520
DOI: https://doi.org/10.1353/mod.2019.0040
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Stars Without a World

Scott J. Juengel
pp. 521-542
DOI: https://doi.org/10.1353/mod.2019.0041
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Modernism’s Opposite: John Galsworthy and the Novel Series

Matthew Levay
pp. 543-562
DOI: https://doi.org/10.1353/mod.2019.0042
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Facts and Fantasies: Photography and Camouflage in 1930s Italian Illustrated Media

Maria Antonella Pelizzari
pp. 563-594
DOI: https://doi.org/10.1353/mod.2019.0043
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Picasso, Comics, and Cultural Divides: Why Krazy Kat Is a Kubist Kat

Kevin Cooley
pp. 595-616
DOI: https://doi.org/10.1353/mod.2019.0044
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“la vaste rumeur d’autrefois”: Noise, Memory, and Mediation in A la recherche du temps perdu

John Attridge
pp. 617-637
DOI: https://doi.org/10.1353/mod.2019.0045
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Spiritualizing Prostheses: Anna Coleman Ladd’s Portrait Masks for Mutilated Soldiers of World War I

Aaron Shaheen
pp. 639-662
DOI: https://doi.org/10.1353/mod.2019.0046
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At the Rembrandt Exhibit (with Proust, Woolf, and Bacon)

Cedric Van Dijck
pp. 663-666
DOI: https://doi.org/10.1353/mod.2019.0047
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Spanish Modernism and the Poetics of Youth: From Miguel de Unamuno to “La Joven Literatura” by Leslie J. Harkema (review)

Ignacio Infante
pp. 667-670
DOI: https://doi.org/10.1353/mod.2019.0051
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The Politics of 1930s British Literature by Natasha Periyan (review)

Gwyn Jenkins
pp. 670-673
DOI: https://doi.org/10.1353/mod.2019.0052
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Animal Subjects: Literature, Zoology and British Modernism by Caroline Hovanec (review)

Rachel Murray
pp. 673-675
DOI: https://doi.org/10.1353/mod.2019.0053
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Eccentric Modernisms: Making Differences in the History of American Art by Tirza True Latimer (review)

Laura Guy
pp. 675-677
DOI: https://doi.org/10.1353/mod.2019.0050
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The Dandy at Dusk: Taste and Melancholy in the Twentieth Century by Philip Mann (review)

Len Gutkin
pp. 678-680
DOI: https://doi.org/10.1353/mod.2019.0049
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Modern Arabic Literature: A Theoretical Framework by Reuven Snir (review)

Anna Ziajka Stanton
pp. 681-683
DOI: https://doi.org/10.1353/mod.2019.0054
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Recent Books of Interest

pp. 685-686
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