1. Scientific Visions: Resource Extraction and the Colonial Impulse in Canadian Popular Science Films
  2. Rachel Webb Jekanowski
  3. pp. 1-24
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  1. Damaged Goods: Motion Pictures, Syphilis, and Maritime Audiences
  2. Gregory Canning
  3. pp. 25-43
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  1. Port of Shadows: Absence and Love
  2. Vlad Dima
  3. pp. 44-65
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  1. La machine subjective ? Les appropriations cinématographiques des dispositifs immersifs contemporains
  2. Philippe Bédard
  3. pp. 66-92
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  1. Up-to-Speed Cinema: An Elucidation of Griffith’s 1909 Contribution to Montage and Representation, through the Ratio of Shots to Camera Setups
  2. Grant Wiedenfeld
  3. pp. 93-122
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  1. Telling Migrant Stories: Latin American Diaspora in Documentary Film ed. by Esteban E. Loustaunau, Lauren E. Shaw (review)
  2. Lyell Davies
  3. pp. 123-126
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  1. Celluloid Singapore: Cinema, Performance and the National by Edna Lim (review)
  2. Philippe Mather
  3. pp. 127-130
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  1. Archiveology: Walter Benjamin and Archival Film Practices by Catherine Russell (review)
  2. Jennifer Peterson
  3. pp. 131-134
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  1. The Sinophone Cinema of Hou Hsiao-hsien: Culture, Style, Voice, and Motion by Christopher Lupke (review)
  2. Yanhong Zhu
  3. pp. 135-138
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