In this Issue
Eugene O’Neill’s entire life revolved around the stage, and his productivity as a dramatist—some twenty long plays in less than twenty-five years (1920–1943)—remains a remarkable achievement. O’Neill’s plays are known for their intensely personal qualities, their dark realism, and their tragic honesty. O’Neill is the only American playwright ever to receive a Nobel Prize in Literature and is recognized as having helped to establish America as a center of theatrical output and creativity.
published by
Penn State University Pressviewing issue
Volume 40, Number 1, 2019Editorial Board
Editor
Alexander Pettit, University of North Texas
Book Review Editors
Zander Brietzke, Columbia University
Performance Review Editors
Ryder Thornton, Tulane University
Editorial Board
Judith E. Barlow, University at Albany, SUNY, emerita
Steven F. Bloom, Lasell College
Patrick Chura, University of Akron
David Clare, Mary Immaculate Colelge, University of Limerick
Robert M. Dowling, Central Connecticut State University
Kurt Eisen, Tennessee Tech University
Drew Eisenhauer, Lycée International Bossuet de Meaux
Anne Fletcher, Southern Illinois University
Noelia Hernando-Real, Universidad Autonoma de Madrid
Eileen J. Herrmann, Dominican University
Katie N. Johnson, Miami University
William Davies King, UC Santa Barbara
Brenda Murphy, University of Connecticut
J. Chris Westgate, California State University, Fullerton
Beth Wynstra, Babson College
Shiyan Xu, Nanjing Normal University
