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Table of Contents

  1. Editor’s Note
  2. Bruce R. Burningham
  3. pp. 7-8
  4. DOI: https://doi.org/10.1353/cer.2012.0013
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  1. Postscript to Don Quijote: Hero or Fool? Remixed
  2. John Jay Allen
  3. pp. 9-10
  4. DOI: https://doi.org/10.1353/cer.2012.0014
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  1. Furió Ceriol, Sancho Panza, and Althusser: Machiavelli’s Prince Reconsidered
  2. Rosilie Hernández
  3. pp. 11-36
  4. DOI: https://doi.org/10.1353/cer.2012.0015
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  1. “Ver mundo”: Enchanted Boats, Atlases, and Imperial Magic in the Second Part of Don Quijote
  2. Wendell P. Smith
  3. pp. 37-80
  4. DOI: https://doi.org/10.1353/cer.2012.0016
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  1. Don Quixote: Pain, Space, and Artifice
  2. Max Ubelaker Andrade
  3. pp. 81-121
  4. DOI: https://doi.org/10.1353/cer.2012.0017
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  1. Espacios de ambigüedad en el teatro cervantino: La conquista de Jerusalén y los dramas de cautiverio
  2. Moisés R. Castillo
  3. pp. 123-142
  4. DOI: https://doi.org/10.1353/cer.2012.0018
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  1. “Es de Lope”: Child Martyrdom in Cervantes’s Los baños de Argel
  2. Barbara F. Weissberger
  3. pp. 143-170
  4. DOI: https://doi.org/10.1353/cer.2012.0019
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  1. Cervantes’s Language of the Heart in the Novelas ejemplares and Don Quijote
  2. Ryan Schmitz
  3. pp. 171-195
  4. DOI: https://doi.org/10.1353/cer.2012.0020
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  1. Poiesis and Modernity in the Old and New Worlds ed. by Anthony J. Cascardi and Leah Middlebrook (review)
  2. Michael W. Joy
  3. pp. 197-200
  4. DOI: https://doi.org/10.1353/cer.2012.0021
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  1. Una lectura semiótico-narratológica del Quijote en el contexto del Siglo de Oro español por Ruth Fine (review)
  2. Isabel Lozano-Renieblas
  3. pp. 201-204
  4. DOI: https://doi.org/10.1353/cer.2012.0022
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  1. Don Quixote ed. by Tom Lathrop (review)
  2. Stephen Hessel
  3. pp. 204-207
  4. DOI: https://doi.org/10.1353/cer.2012.0023
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