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Table of Contents

  1. Editor’s Note
  2. Bruce R. Burningham
  3. pp. 7-8
  4. DOI: https://doi.org/10.1353/cer.2011.0014
  5. restricted access
  1. Helena Percas de Ponseti, 1921-2011
  2. Michael McGaha
  3. pp. 9-14
  4. DOI: https://doi.org/10.1353/cer.2011.0015
  5. restricted access
  1. In Memoriam: Helena Percas de Ponseti (1921-2011)
  2. Frances Luttikhuizen
  3. pp. 15-20
  4. DOI: https://doi.org/10.1353/cer.2011.0016
  5. restricted access
  1. Dorotea’s Displacement: Performing the Possible in Early Modern Spain
  2. Christine Garst-Santos
  3. pp. 51-84
  4. DOI: https://doi.org/10.1353/cer.2011.0018
  5. restricted access
  1. Viaje del Parnaso: Una odisea de títeres en escena
  2. Esther Fernández
  3. pp. 85-103
  4. DOI: https://doi.org/10.1353/cer.2011.0019
  5. restricted access
  1. Cervantine Theater as Counter-Perspective Aesthetic: Reconsidering El rufián dichoso
  2. Melanie Henry
  3. pp. 105-124
  4. DOI: https://doi.org/10.1353/cer.2011.0020
  5. restricted access
  1. A Soldier’s Shame: The Specter of Captivity in “La historia del cautivo”
  2. Paul Michael Johnson
  3. pp. 153-184
  4. DOI: https://doi.org/10.1353/cer.2011.0022
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  1. Framing Interiority: “El coloquio de los perros” and Inquisitional Certainty
  2. Dale Shuger
  3. pp. 185-211
  4. DOI: https://doi.org/10.1353/cer.2011.0023
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  1. Reminiscencias evangélicas a lo largo del Quijote
  2. Patrizia Di Patre
  3. pp. 213-220
  4. DOI: https://doi.org/10.1353/cer.2011.0024
  5. restricted access