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Table of Contents

  1. Artistic Discourse in Colombian Experience/Exposition
  2. Elizabeth Coonrod Martínez
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/dlg.2019.0038
  5. restricted access
  1. Visual Dimensions of Social Unrest: Posters and Flyers of Taller de Gráfica Popular and Taller 4 Rojo
  2. Gustavo Quintero
  3. pp. 7-19
  4. DOI: https://doi.org/10.1353/dlg.2019.0040
  5. restricted access
  1. The Production and Destruction of Television Images in José Alejandro Restrepo's Iconomía
  2. Juan Sebastián Ospina
  3. pp. 21-34
  4. DOI: https://doi.org/10.1353/dlg.2019.0041
  5. restricted access
  1. "Recuerda recordar": Memoria del cuerpo y resistencia en White Series de María José Arjona
  2. Ángela María Duarte Pardo
  3. pp. 49-62
  4. DOI: https://doi.org/10.1353/dlg.2019.0043
  5. restricted access
  1. Memorias de Guamacó como uso ejemplar del pasado
  2. Raquel Méndez Villamizar, Damián Pachón Soto, Mario Niño Villamizar
  3. pp. 63-75
  4. DOI: https://doi.org/10.1353/dlg.2019.0044
  5. restricted access
  1. Notas sobre La tierra y la sombra de César Acevedo: Una lectura alegórica
  2. Daniel Moreno
  3. pp. 77-87
  4. DOI: https://doi.org/10.1353/dlg.2019.0045
  5. restricted access
  1. Sonido bestial: Afecto y memoria posthumana a partir de Sacrificio de Clemencia Echeverri
  2. Juan Diego Pérez Moreno
  3. pp. 89-103
  4. DOI: https://doi.org/10.1353/dlg.2019.0046
  5. restricted access
  1. Violence, Nature, and Memory in Contemporary Colombian Poetry
  2. Tania Ganitsky
  3. pp. 105-120
  4. DOI: https://doi.org/10.1353/dlg.2019.0047
  5. restricted access
  1. About the Artist: José Alejandro Restrepo
  2. pp. 121-122
  3. DOI: https://doi.org/10.1353/dlg.2019.0048
  4. restricted access
  1. About the Artist: Juan Manuel Echavarría
  2. pp. 123-124
  3. DOI: https://doi.org/10.1353/dlg.2019.0049
  4. restricted access
  1. Los charales
  2. Diana Aldrete
  3. pp. 125-128
  4. DOI: https://doi.org/10.1353/dlg.2019.0050
  5. restricted access
  1. 4-F
  2. Arthur Ramírez
  3. pp. 129-131
  4. DOI: https://doi.org/10.1353/dlg.2019.0051
  5. restricted access
  1. Ocho poemas, tomados de Desastre lento (2018)
  2. Tania Ganitsky
  3. pp. 133-134
  4. DOI: https://doi.org/10.1353/dlg.2019.0052
  5. restricted access
  1. The Grape Fields Know Her Name
  2. María López de la Cruz
  3. p. 135
  4. DOI: https://doi.org/10.1353/dlg.2019.0053
  5. restricted access
  1. Student Workshop Poems
  2. Juana Iris Goergen
  3. pp. 137-141
  4. DOI: https://doi.org/10.1353/dlg.2019.0054
  5. restricted access
  1. 140 Twitter Poems by Christopher Carmona (review)
  2. David Langston
  3. pp. 143-145
  4. DOI: https://doi.org/10.1353/dlg.2019.0055
  5. restricted access
  1. The Road to Llorona Park by Christopher Carmona (review)
  2. David Langston
  3. pp. 147-148
  4. DOI: https://doi.org/10.1353/dlg.2019.0056
  5. restricted access
  1. The Heart of the Mission: Latino Art and Politics in San Francisco by Cary Cordova (review)
  2. Gerson Rosales
  3. pp. 151-152
  4. DOI: https://doi.org/10.1353/dlg.2019.0058
  5. restricted access
  1. In Search of Belonging: Latinas, Media, and Citizenship by Jillian M. Báez (review)
  2. Hannah Noel
  3. pp. 153-154
  4. DOI: https://doi.org/10.1353/dlg.2019.0059
  5. restricted access
  1. Zombies, Migrants, and Queers: Race and Crisis Capitalism in Pop Culture by Camilla Fojas (review)
  2. Orquidea Morales
  3. pp. 155-156
  4. DOI: https://doi.org/10.1353/dlg.2019.0060
  5. restricted access
  1. Contributors
  2. pp. 157-159
  3. DOI: https://doi.org/10.1353/dlg.2019.0061
  4. restricted access