1. Editor's Note
  2. Paul Ohler
  3. pp. v-vi
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  1. Adapting Traditions: Lacunae Surrounding the 1934 Film Adaptation of Edith Wharton's The Age of Innocence
  2. Bethany Wood
  3. pp. 101-123
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  1. A Shared Performance: The Age of Innocence and The Shaughraun's Ribbon-Kissing Scene
  2. Lucas McCarthy
  3. pp. 124-145
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  1. Edith Wharton as Regionalist: A New Context for Reading Summer
  2. Martha Billips
  3. pp. 146-166
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  1. Every Contact Leaves a Trace: Wharton's Critique of the Forensic Imagination in The House of Mirth
  2. Mary Vital Marchand
  3. pp. 167-188
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  1. Critical Insights: Edith Wharton ed. by Myrto Drizou (review)
  2. Emily J. Orlando
  3. pp. 189-192
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  1. Haunting Realities: Naturalist Gothic and American Realism ed. by Monika Elbert and Wendy Ryden (review)
  2. Hannah Huber
  3. pp. 193-196
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  1. Echoes of Emerson: Rethinking Realism in Twain, James, Wharton, and Cather by Diana Hope Polley (review)
  2. Chip Badley
  3. pp. 197-201
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