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In this Issue

Table of Contents

Essays

  1. Devil in the Details: The Uncanny History of The Witch (2015)
  2. Aviva Briefel
  3. pp. 4-20
  4. DOI: https://doi.org/10.1353/flm.2019.0002
  5. restricted access
  1. "It's too late…Not for me": The Graduate (1967) and the History of Women
  2. Sherri Cash
  3. pp. 21-38
  4. DOI: https://doi.org/10.1353/flm.2019.0003
  5. restricted access
  1. The Ambivalent Treatment of Counter-cultural Identity in the "Outlaw Biker" Film, 1966-72
  2. Ben Medeiros
  3. pp. 39-49
  4. DOI: https://doi.org/10.1353/flm.2019.0014
  5. restricted access
  1. Assimilating the Feminist Voice in Service Comedies, 1941-1980
  2. William R. Glass
  3. pp. 50-62
  4. DOI: https://doi.org/10.1353/flm.2019.0008
  5. restricted access

Book Reviews

  1. A Place of Darkness: The Rhetoric of Horror in Early American Cinema by Kendall R Phillips (review)
  2. Brittany Caroline Speller
  3. pp. 63-64
  4. DOI: https://doi.org/10.1353/flm.2019.0018
  5. restricted access
  1. Specters of Slapstick and Silent Film Comediennes by Maggie Hennefeld (review)
  2. Rebecca Burditt
  3. pp. 65-67
  4. DOI: https://doi.org/10.1353/flm.2019.0011
  5. restricted access
  1. A Companion to the War Film ed. by Douglas Cunningham and John Nelson (review)
  2. J. Davis Winkie
  3. pp. 68-69
  4. DOI: https://doi.org/10.1353/flm.2019.0004
  5. restricted access
  1. Dancing with the Nation: Courtesans in Bombay Cinema by Ruth Vanita (review)
  2. Mobeen Hussain
  3. pp. 70-71
  4. DOI: https://doi.org/10.1353/flm.2019.0023
  5. restricted access
  1. When Broadway Went to Hollywood by Ethan Mordden (review)
  2. Bernard F. Dick
  3. pp. 72-73
  4. DOI: https://doi.org/10.1353/flm.2019.0015
  5. restricted access
  1. Father Knows Best (TV Milestones Series) by Mary Desjardins (review)
  2. Jesse Schlotterbeck
  3. pp. 74-75
  4. DOI: https://doi.org/10.1353/flm.2019.0005
  5. restricted access
  1. Show Trial: Hollywood, HUAC, and the Birth of the Blacklist by Thomas Doherty (review)
  2. Justin Gautreau
  3. pp. 76-77
  4. DOI: https://doi.org/10.1353/flm.2019.0006
  5. restricted access
  1. The Cinema of Oliver Stone: Art, Authorship and Activism by Ian Scott and Henry Thompson (review)
  2. Jonathan Hayes
  3. pp. 78-80
  4. DOI: https://doi.org/10.1353/flm.2019.0019
  5. restricted access
  1. John Lasseter by Richard Neupert (review)
  2. Paula Murphy
  3. pp. 81-83
  4. DOI: https://doi.org/10.1353/flm.2019.0016
  5. restricted access
  1. 1939: Hollywood's Greatest Year by Thomas S. Hischak (review)
  2. Douglas Long
  3. pp. 84-86
  4. DOI: https://doi.org/10.1353/flm.2019.0012
  5. restricted access
  1. Medieval Saints and Modern Screens: Divine Visions as Cinematic Experience by Alicia Spencer-Hall (review)
  2. Anthony Ballas
  3. pp. 87-89
  4. DOI: https://doi.org/10.1353/flm.2019.0021
  5. restricted access
  1. Menus For Movieland: Newspapers and the Emergence of American Film Culture 1913-1916 by Richard Abel (review)
  2. Chris Yogerst
  3. p. 90
  4. DOI: https://doi.org/10.1353/flm.2019.0000
  5. restricted access
  1. Political Theory and Film: From Adorno to Žižek by Ian Fraser (review)
  2. Nenad Jovanovic
  3. pp. 91-93
  4. DOI: https://doi.org/10.1353/flm.2019.0007
  5. restricted access
  1. The Palgrave Handbook of Posthumanism in Film and Television by Michael Hauskeller, Thomas Philbeck, and Curtis Carbonell (review)
  2. Lantz Fleming Miller
  3. pp. 94-96
  4. DOI: https://doi.org/10.1353/flm.2019.0010
  5. restricted access
  1. When Warners Brought Broadway to Hollywood, 1923-1939 by Martin Shingler (review)
  2. Scott Balcerzak
  3. pp. 97-98
  4. DOI: https://doi.org/10.1353/flm.2019.0020
  5. restricted access
  1. Robin Wood on the Horror Film: Collected Essays and Reviews ed. by Barry Keith Grant (review)
  2. Khara Lukancic
  3. pp. 99-100
  4. DOI: https://doi.org/10.1353/flm.2019.0009
  5. restricted access
  1. Off to the Pictures: Cinema-going, Women's Writing and Movie Culture in Interwar Britain by Lisa Stead (review)
  2. Peter Niehoff
  3. pp. 101-103
  4. DOI: https://doi.org/10.1353/flm.2019.0022
  5. restricted access
  1. The Westerns and War Films of John Ford by Sue Matheson (review)
  2. Robert Weldon Whalen
  3. pp. 104-105
  4. DOI: https://doi.org/10.1353/flm.2019.0013
  5. restricted access
  1. The History of Cinema: A Very Short Introduction by Geoffrey Nowell-Smith, and: Hollywood: A Very Short Introduction by Peter Decherney (review)
  2. Rebecca Weeks
  3. pp. 106-107
  4. DOI: https://doi.org/10.1353/flm.2019.0017
  5. restricted access
  1. Reform Cinema in Iran: Film and Political Change in the Islamic Republic by Blake Atwood (review)
  2. Jean-Baptiste De Vaulx
  3. pp. 108-109
  4. DOI: https://doi.org/10.1353/flm.2019.0001
  5. restricted access