1. Trick Star
  2. Suné Woods
  3. p. 2
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  1. Minstrel Scandals; or, the Restorative White Properties of Blackface
  2. Kellen Hoxworth
  3. pp. 8-19
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  1. “In Sorrow Thou Shalt Bring Forth Children”: Docu-Poetic Theatre in Israel
  2. Naphtaly Shem-Tov
  3. pp. 20-35
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  1. “My Life Has Become More Absurd Than My Play”: Mi Minör and the Crackdown on Artistic Freedom in Turkey
  2. Burcu Yasemin Seyben
  3. pp. 36-49
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  1. Karnatic Meets Kattaikkuttu: Notes on an Unusual Cultural Conversation
  2. Hanne M. de Bruin
  3. pp. 50-73
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  1. The Outside of Butoh Is the Inside of the Body: Ko Murobushi and the Process of Self-Mummification
  2. Nanako Nakajima
  3. pp. 74-93
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  1. Trans/formative: Queering the Binaries of Sex and Gender in Cassils’s Performances of (Un)Becoming
  2. Leila Riszko
  3. pp. 94-107
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  1. Dance X Fase X Quad: Choreographic Seeing in Lucinda Childs, Anne Teresa de Keersmaeker, and Samuel Beckett
  2. Rosa van Hensbergen
  3. pp. 108-127
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  1. From Chanel to Halston: The Mythology of Fashion Costumes on Modernist Stages
  2. Rhonda Garelick
  3. pp. 128-147
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  1. Inhuman Attunements: Eiko Otake’s A Body in Places at The Met Cloisters
  2. Eylül Fidan Akıncı
  3. pp. 148-154
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  1. Spoken Drama and Its Doubles: Thunderstorm 2.0 by Wang Chong and Théâtre du Rêve Expérimental
  2. Tarryn Li-Min Chun
  3. pp. 155-163
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  1. Interlingual = Intercultural in Kayoi Komachi/Komachi Visited: A Noh Chamber Opera
  2. Anna Holman
  3. pp. 164-171
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  1. Affect, Animals, and Autists: Feeling Around the Edges of the Human in Performance by Marla Carlson (review)
  2. Erika Rundle
  3. pp. 172-175
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  1. Reactivations: Essays on Performance and Its Documentation by Philip Auslander (review)
  2. Hana Worthen
  3. pp. 175-177
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  1. K-pop Live: Fans, Idols, and Multimedia Performance by Suk-Young Kim (review)
  2. So-Rim Lee
  3. pp. 178-179
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  1. More Books
  2. Lilian Mengesha
  3. pp. 185-188
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