In this Issue

Table of Contents

writing rationally after rape: experiencing knowledge production in an academic music context

Claire McGinn
pp. 1-14
DOI: https://doi.org/10.1353/wam.2019.0000
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Acoustic Patriarchy: Hearing Gender Violence in Mexico City’s Public Spaces

Anthony W. Rasmussen
pp. 15-42
DOI: https://doi.org/10.1353/wam.2019.0001
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Episode 8: (Fresh Cut Flowers, Adhesive Tape, Tofu, and Lottery Tickets)For 2 or more performers

Laura R. Schwartz
pp. 44-47
DOI: https://doi.org/10.1353/wam.2019.0002
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Women of, for, and at the Wall: A Performative Analysis of Gender Politics at the Western Wall in Jerusalem

Tanya Sermer
pp. 48-74
DOI: https://doi.org/10.1353/wam.2019.0003
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The Voice

Atefeh Einali
pp. 75-78
DOI: https://doi.org/10.1353/wam.2019.0004
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Music as Mission: Hierarchies of Sound and Difference

Lauren Eldridge Stewart
pp. 79-92
DOI: https://doi.org/10.1353/wam.2019.0005
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(mis)gendering

Sandow Isha Sinai
pp. 93-98
DOI: https://doi.org/10.1353/wam.2019.0006
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A Queer Organology of the Pedal Harp

Henry Spiller
pp. 99-121
DOI: https://doi.org/10.1353/wam.2019.0007
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Chris and Gabe

Gerald Gurss
pp. 122-128
DOI: https://doi.org/10.1353/wam.2019.0015
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“Da uomo”: Querying Gender and Sexuality in Mozart’s La clemenza di Tito

Ilana Walder-Biesanz
pp. 129-152
DOI: https://doi.org/10.1353/wam.2019.0008
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Eye o da Hurricane for string quartet (2017)

Angela Elizabeth Slater
pp. 153-158
DOI: https://doi.org/10.1353/wam.2019.0009
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Not Playing Properly: Amateurism as Generic Choice in Three Postpunk Case Studies: The Slits, Lora Logic, and the Raincoats

Mimi Haddon
pp. 159-183
DOI: https://doi.org/10.1353/wam.2019.0010
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Contrapartes

Ivonne Hernández
pp. 184-187
DOI: https://doi.org/10.1353/wam.2019.0011
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“Near to Reality, but Not Quite”: Lena Ashwell’s Concerts at the Front during the First World War

Vanessa Williams
pp. 188-211
DOI: https://doi.org/10.1353/wam.2019.0012
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The Great Woman Singer: Gender and Voice in Puerto Rican Music by Licia Fiol-Matta (review)

Jessica C. Hajek
pp. 212-217
DOI: https://doi.org/10.1353/wam.2019.0013
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Libby Larsen: Composing an American Life by Denise Von Glahn (review)

Nomi Epstein
pp. 217-221
DOI: https://doi.org/10.1353/wam.2019.0014
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