1. writing rationally after rape: experiencing knowledge production in an academic music context
  2. Claire McGinn
  3. pp. 1-14
  4. DOI: 10.1353/wam.2019.0000
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  1. Acoustic Patriarchy: Hearing Gender Violence in Mexico City’s Public Spaces
  2. Anthony W. Rasmussen
  3. pp. 15-42
  4. DOI: 10.1353/wam.2019.0001
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  1. Episode 8: (Fresh Cut Flowers, Adhesive Tape, Tofu, and Lottery Tickets)For 2 or more performers
  2. Laura R. Schwartz
  3. pp. 44-47
  4. DOI: 10.1353/wam.2019.0002
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  1. Women of, for, and at the Wall: A Performative Analysis of Gender Politics at the Western Wall in Jerusalem
  2. Tanya Sermer
  3. pp. 48-74
  4. DOI: 10.1353/wam.2019.0003
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  1. The Voice
  2. Atefeh Einali
  3. pp. 75-78
  4. DOI: 10.1353/wam.2019.0004
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  1. Music as Mission: Hierarchies of Sound and Difference
  2. Lauren Eldridge Stewart
  3. pp. 79-92
  4. DOI: 10.1353/wam.2019.0005
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  1. (mis)gendering
  2. Sandow Isha Sinai
  3. pp. 93-98
  4. DOI: 10.1353/wam.2019.0006
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  1. A Queer Organology of the Pedal Harp
  2. Henry Spiller
  3. pp. 99-121
  4. DOI: 10.1353/wam.2019.0007
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  1. Chris and Gabe
  2. Gerald Gurss
  3. pp. 122-128
  4. DOI: 10.1353/wam.2019.0015
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  1. “Da uomo”: Querying Gender and Sexuality in Mozart’s La clemenza di Tito
  2. Ilana Walder-Biesanz
  3. pp. 129-152
  4. DOI: 10.1353/wam.2019.0008
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  1. Eye o da Hurricane for string quartet (2017)
  2. Angela Elizabeth Slater
  3. pp. 153-158
  4. DOI: 10.1353/wam.2019.0009
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  1. Not Playing Properly: Amateurism as Generic Choice in Three Postpunk Case Studies: The Slits, Lora Logic, and the Raincoats
  2. Mimi Haddon
  3. pp. 159-183
  4. DOI: 10.1353/wam.2019.0010
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  1. Contrapartes
  2. Ivonne Hernández
  3. pp. 184-187
  4. DOI: 10.1353/wam.2019.0011
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  1. “Near to Reality, but Not Quite”: Lena Ashwell’s Concerts at the Front during the First World War
  2. Vanessa Williams
  3. pp. 188-211
  4. DOI: 10.1353/wam.2019.0012
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  1. The Great Woman Singer: Gender and Voice in Puerto Rican Music by Licia Fiol-Matta (review)
  2. Jessica C. Hajek
  3. pp. 212-217
  4. DOI: 10.1353/wam.2019.0013
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  1. Libby Larsen: Composing an American Life by Denise Von Glahn (review)
  2. Nomi Epstein
  3. pp. 217-221
  4. DOI: 10.1353/wam.2019.0014
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