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Table of Contents

  1. Paintings
  2. Chelsea Gibson
  3. pp. i-viii
  4. DOI: https://doi.org/10.1353/thr.2019.0059
  5. restricted access
  1. Erratum
  3. DOI: https://doi.org/10.1353/thr.2019.0074
  4. restricted access
  1. More Soprano, Please, More Tenor
  2. David Kirby
  3. pp. 311-315
  4. DOI: https://doi.org/10.1353/thr.2019.0049
  5. restricted access
  1. No Happier State
  2. J. Allyn Rosser
  3. pp. 316-317
  4. DOI: https://doi.org/10.1353/thr.2019.0050
  5. restricted access
  1. Reading the Regent's Canal
  2. Jefferson Hunter
  3. pp. 318-334
  4. DOI: https://doi.org/10.1353/thr.2019.0051
  5. restricted access
  1. Prisoners of Play, and: Of Our Own Creation
  2. Todd Arnold
  3. pp. 335-336
  4. DOI: https://doi.org/10.1353/thr.2019.0052
  5. restricted access
  1. The House Fire at the Sea, and: Witness
  2. Morri Creech
  3. pp. 337-340
  4. DOI: https://doi.org/10.1353/thr.2019.0053
  5. restricted access
  1. Interview
  2. Ilya Kaminsky
  3. pp. 341-350
  4. DOI: https://doi.org/10.1353/thr.2019.0054
  5. restricted access
  1. Minml Poems
  2. Mag Gabbert
  3. pp. 351-355
  4. DOI: https://doi.org/10.1353/thr.2019.0055
  5. restricted access
  1. Mále and the Masks
  2. Francisco Proaño Arandi, Paul Hendricks
  3. pp. 356-370
  4. DOI: https://doi.org/10.1353/thr.2019.0056
  5. restricted access
  1. Petit Mal
  2. Julie Kane
  3. p. 371
  4. DOI: https://doi.org/10.1353/thr.2019.0057
  5. restricted access
  1. Wake
  2. Chad Davidson
  3. p. 372
  4. DOI: https://doi.org/10.1353/thr.2019.0058
  5. restricted access
  1. Brinkmanship: Hart Crane
  2. J. T. Barbarese
  3. pp. 373-389
  4. DOI: https://doi.org/10.1353/thr.2019.0060
  5. restricted access
  1. The Corpse of Chairman Mao
  2. Mai Wang
  3. pp. 390-406
  4. DOI: https://doi.org/10.1353/thr.2019.0061
  5. restricted access
  1. Sleeping Late
  2. Rachel Hadas
  3. p. 407
  4. DOI: https://doi.org/10.1353/thr.2019.0062
  5. restricted access
  1. Gratitudes
  2. Elaine Johanson
  3. p. 408
  4. DOI: https://doi.org/10.1353/thr.2019.0063
  5. restricted access
  1. The Tears of War: Jarrell, Dickey, Hecht
  2. Jeffrey Meyers
  3. pp. 409-421
  4. DOI: https://doi.org/10.1353/thr.2019.0064
  5. restricted access
  1. Scar 19, and: The Lost Language 33
  2. Bruce Bond
  3. pp. 422-423
  4. DOI: https://doi.org/10.1353/thr.2019.0065
  5. restricted access
  1. Looks That Kill
  2. Daniel Nester
  3. pp. 424-425
  4. DOI: https://doi.org/10.1353/thr.2019.0066
  5. restricted access
  1. The Kenner-Davenport Era
  2. Denis Donoghue
  3. pp. 426-436
  4. DOI: https://doi.org/10.1353/thr.2019.0067
  5. restricted access
  1. Film Chronicle: 1984 dir. by Michael Radford, and: Eye in the Sky dir. by Gavin Hood, and: The Last Enemy dir. by Iain MacDonald, and: Hamlet dir. by Gregory Doran, and: Hamlet dir. by Michael Almereyda, and: You Were Never Really Here dir. by Lynne Ramsay, and: Caché dir. by Michael Haneke, and: The Lives of Others dir. by Florian Henckel von Donnersmarck (review)
  2. Jefferson Hunter
  3. pp. 437-446
  4. DOI: https://doi.org/10.1353/thr.2019.0068
  5. restricted access
  1. Coming Home to Roost in London
  2. Jay Rogoff
  3. pp. 446-452
  4. DOI: https://doi.org/10.1353/thr.2019.0069
  5. restricted access
  1. Dickinson's Nerves, Frost's Woods: Poetry in the Shadow of the Past by William Logan (review)
  2. William H. Pritchard
  3. pp. 452-457
  4. DOI: https://doi.org/10.1353/thr.2019.0070
  5. restricted access
  1. Hard Child by Natalie Shapero (review)
  2. Emma Bogdonoff
  3. pp. 457-460
  4. DOI: https://doi.org/10.1353/thr.2019.0071
  5. restricted access
  1. A Primer for Poets & Readers of Poetry by Gregory Orr, and: How Poems Get Made by James Longenbach (review)
  2. Sunil Iyengar
  3. pp. 460-464
  4. DOI: https://doi.org/10.1353/thr.2019.0072
  5. restricted access
  1. Notes on Contributors
  3. pp. 465-467
  4. DOI: https://doi.org/10.1353/thr.2019.0073
  5. restricted access