1. Editor's Note
  2. Craig Howes
  3. pp. v-vi
  4. DOI: 10.1353/bio.2019.0027
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  1. Wounded Cities: Topographies of Self and Nation in Fay Afaf Kanafani's Nadia, Captive of Hope
  2. Hager Ben Driss
  3. pp. 293-310
  4. DOI: 10.1353/bio.2019.0028
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  1. Playing a Life in Nina Freeman's Automedia Game, Cibele
  2. Philip Miletic
  3. pp. 311-334
  4. DOI: 10.1353/bio.2019.0029
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  1. Reading, Writing, and Resistance in Audre Lorde's Zami: A New Spelling of My Name
  2. Sarita Cannon
  3. pp. 335-354
  4. DOI: 10.1353/bio.2019.0030
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  1. "Bad" Biography Exposed!: A Critical Analysis of American Super-Pop
  2. Oline Eaton
  3. pp. 355-377
  4. DOI: 10.1353/bio.2019.0031
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  1. The Shadow in the Garden: A Biographer's Tale by James Atlas (review)
  2. Carl Rollyson
  3. pp. 379-381
  4. DOI: 10.1353/bio.2019.0032
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  1. Experiments in Life-Writing: Intersections of Auto/Biography and Fiction ed. by Lucia Boldrini and Julia Novak (review)
  2. Alexandra Effe
  3. pp. 381-384
  4. DOI: 10.1353/bio.2019.0033
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  1. American Autobiography after 9/11 by Megan Brown (review)
  2. Elisabeth Hedrick-Moser
  3. pp. 384-388
  4. DOI: 10.1353/bio.2019.0034
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  1. Letter to My Father: A Memoir by G. Thomas Couser (review)
  2. Emily Hipchen
  3. pp. 388-392
  4. DOI: 10.1353/bio.2019.0035
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  1. An Artisan Intellectual: James Carter and the Rise of Modern Britain, 1792–1853 by Christopher Ferguson (review)
  2. Anna Clark
  3. pp. 397-400
  4. DOI: 10.1353/bio.2019.0038
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  1. Autobiographical Writing in Latin America: Folds of the Self by Sergio R. Franco (review)
  2. Francisco Brignole
  3. pp. 400-403
  4. DOI: 10.1353/bio.2019.0039
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  1. Getting Personal: Teaching Personal Writing in the Digital Age ed. by Laura Gray-Rosendale (review)
  2. Madeleine Sorapure
  3. pp. 404-406
  4. DOI: 10.1353/bio.2019.0040
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  1. The Art of Confession: The Performance of Self from Robert Lowell to Reality TV by Christopher Grobe (review)
  2. Lynda Goldstein
  3. pp. 407-409
  4. DOI: 10.1353/bio.2019.0041
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  1. A History of Irish Autobiography ed. by Liam Harte (review)
  2. Taura Napier
  3. pp. 409-415
  4. DOI: 10.1353/bio.2019.0042
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  1. Victorians Undone: Tales of the Flesh in the Age of Decorum by Kathryn Hughes (review)
  2. Alison Booth
  3. pp. 415-419
  4. DOI: 10.1353/bio.2019.0043
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  1. Doña Teresa Confronts the Spanish Inquisition: A Seventeenth-Century New Mexican Drama by Frances Levine (review)
  2. Jorge Cañizares-Esguerra
  3. pp. 419-421
  4. DOI: 10.1353/bio.2019.0044
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  1. Clio's Lives: Biographies and Autobiographies of Historians ed. by Doug Munro and John G. Reid (review)
  2. Jaume Aurell
  3. pp. 421-426
  4. DOI: 10.1353/bio.2019.0045
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  1. The Decolonial Mandela: Peace, Justice and the Politics of Life by Sabelo Ndlovu-Gatsheni (review)
  2. Nick Mdika Tembo
  3. pp. 426-430
  4. DOI: 10.1353/bio.2019.0046
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  1. Creating Identity in the Victorian Fictional Autobiography by Heidi L. Pennington (review)
  2. Anne Reus
  3. pp. 430-432
  4. DOI: 10.1353/bio.2019.0047
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  1. A History of Irish Working-Class Writing ed. by Michael Pierse (review)
  2. Muireann Leech
  3. pp. 432-435
  4. DOI: 10.1353/bio.2019.0048
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  1. Canadian Graphic: Picturing Life Narratives ed. by Candida Rifkind and Linda Warley (review)
  2. Rocío G. Davis
  3. pp. 436-438
  4. DOI: 10.1353/bio.2019.0049
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  1. Life? or Theatre? (Leben? oder Theater?) by Charlotte Salomon (review)
  2. Julia Watson
  3. pp. 438-451
  4. DOI: 10.1353/bio.2019.0050
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  1. The Phenomenology of Autobiography: Making it Real by Arnaud Schmitt (review)
  2. Bettina Stumm
  3. pp. 451-455
  4. DOI: 10.1353/bio.2019.0051
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  1. On the Arab-Jew, Palestine, and Other Displacements: Selected Writings by Ella Shohat (review)
  2. Joyce Zonana
  3. pp. 455-459
  4. DOI: 10.1353/bio.2019.0052
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  1. Bird-Bent Grass: A Memoir, in Pieces by Kathleen Venema (review)
  2. G. Thomas Couser
  3. pp. 459-462
  4. DOI: 10.1353/bio.2019.0053
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  1. Private Lives Made Public: The Invention of Biography in Early Modern England by Andrea Walkden (review)
  2. Julie A. Eckerle
  3. pp. 463-464
  4. DOI: 10.1353/bio.2019.0054
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