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Table of Contents

  1. Editor’s Note
  2. Eero Laine
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/dtc.2019.0000
  5. restricted access
  1. Notes for Decolonizing Embodiment
  2. Ben Spatz
  3. pp. 9-22
  4. DOI: https://doi.org/10.1353/dtc.2019.0001
  5. open access
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  1. Excellent at Faults: The Experience of Twelfth Night and History of Madness
  2. James Newlin
  3. pp. 27-44
  4. DOI: https://doi.org/10.1353/dtc.2019.0002
  5. restricted access
  1. Subjectivity, Identity, and Intersectionality in Arts Journalism: An Interview with Diep Tran
  2. Maegan Clearwood, Hannah L. Jones
  3. pp. 45-60
  4. DOI: https://doi.org/10.1353/dtc.2019.0003
  5. restricted access
  1. From the Black Arts Movement to the Contemporary Chitlin’ Circuit: An Interview with Woodie King Jr.
  2. La Donna L. Forsgren
  3. pp. 61-80
  4. DOI: https://doi.org/10.1353/dtc.2019.0004
  5. restricted access
  1. People Come to the Theatre to Feel Something Old: Branden Jacobs-Jenkins and Theatre History
  2. Bess Rowen
  3. pp. 81-94
  4. DOI: https://doi.org/10.1353/dtc.2019.0005
  5. restricted access
  1. The Conscience Man of Jatra: A Conversation with Shekh Madhusudan on Jatra’s Hybrid Identity Formation
  2. Jashodhara Sen
  3. pp. 97-107
  4. DOI: https://doi.org/10.1353/dtc.2019.0006
  5. restricted access
  1. Performance and Professional Wrestling ed. by Broderick Chow, Eero Laine, Claire Warden (review)
  2. James M. Brandon
  3. pp. 111-113
  4. DOI: https://doi.org/10.1353/dtc.2019.0007
  5. restricted access
  1. Staging the Blues: From Tent Shows to Tourism by Paige A. McGinley (review)
  2. Julie Burrell
  3. pp. 113-115
  4. DOI: https://doi.org/10.1353/dtc.2019.0008
  5. restricted access
  1. Authenticity in Contemporary Theatre and Performance: Make it Real by Daniel Schulze (review)
  2. Nicole Dietze
  3. pp. 116-118
  4. DOI: https://doi.org/10.1353/dtc.2019.0009
  5. restricted access
  1. Acting Greek Tragedy by Graham Ley (review)
  2. Tiffany Pounds-Williams
  3. pp. 118-120
  4. DOI: https://doi.org/10.1353/dtc.2019.0010
  5. restricted access
  1. The Laban Workbook for Actors: A Practical Training Guide with Video by Katya Bloom et al. (review)
  2. Sebastian Samur
  3. pp. 120-122
  4. DOI: https://doi.org/10.1353/dtc.2019.0011
  5. restricted access
  1. The Rise of the Diva on the Sixteenth Century Commedia dell’Arte Stage by Rosalind Kerr (review)
  2. Julia Schmitt
  3. pp. 123-124
  4. DOI: https://doi.org/10.1353/dtc.2019.0012
  5. restricted access
  1. The Theatre of Eugene O’Neill: American Modernism on the World Stage by Kurt Eisen (review)
  2. Aaron Scully
  3. pp. 125-127
  4. DOI: https://doi.org/10.1353/dtc.2019.0013
  5. restricted access
  1. The Translator on Stage by Geraldine Brodie (review)
  2. Daniel Smith
  3. pp. 127-129
  4. DOI: https://doi.org/10.1353/dtc.2019.0014
  5. restricted access
  1. Microdramas: Crucibles for Theater and Time by John H. Muse (review)
  2. Jill Stevenson
  3. pp. 130-132
  4. DOI: https://doi.org/10.1353/dtc.2019.0015
  5. restricted access
  1. A History of Japanese Theatre ed. by Jonah Salz (review)
  2. Kathy Welch
  3. pp. 132-134
  4. DOI: https://doi.org/10.1353/dtc.2019.0016
  5. restricted access
  1. Theatre and Aural Attention: Stretching Ourselves by George Home-Cook (review)
  2. Peter Wood
  3. pp. 134-136
  4. DOI: https://doi.org/10.1353/dtc.2019.0017
  5. restricted access
  1. Books Received
  3. pp. 137-146
  4. DOI: https://doi.org/10.1353/dtc.2019.0018
  5. restricted access