In this Issue

Table of Contents

Editor’s Note

Eero Laine
pp. 1-3
DOI: https://doi.org/10.1353/dtc.2019.0000
restricted access

Notes for Decolonizing Embodiment

Ben Spatz
pp. 9-22
DOI: https://doi.org/10.1353/dtc.2019.0001
open access

Excellent at Faults: The Experience of Twelfth Night and History of Madness

James Newlin
pp. 27-44
DOI: https://doi.org/10.1353/dtc.2019.0002
restricted access

Subjectivity, Identity, and Intersectionality in Arts Journalism: An Interview with Diep Tran

Maegan Clearwood, Hannah L. Jones
pp. 45-60
DOI: https://doi.org/10.1353/dtc.2019.0003
restricted access

From the Black Arts Movement to the Contemporary Chitlin’ Circuit: An Interview with Woodie King Jr.

La Donna L. Forsgren
pp. 61-80
DOI: https://doi.org/10.1353/dtc.2019.0004
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People Come to the Theatre to Feel Something Old: Branden Jacobs-Jenkins and Theatre History

Bess Rowen
pp. 81-94
DOI: https://doi.org/10.1353/dtc.2019.0005
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The Conscience Man of Jatra: A Conversation with Shekh Madhusudan on Jatra’s Hybrid Identity Formation

Jashodhara Sen
pp. 97-107
DOI: https://doi.org/10.1353/dtc.2019.0006
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Performance and Professional Wrestling ed. by Broderick Chow, Eero Laine, Claire Warden (review)

James M. Brandon
pp. 111-113
DOI: https://doi.org/10.1353/dtc.2019.0007
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Staging the Blues: From Tent Shows to Tourism by Paige A. McGinley (review)

Julie Burrell
pp. 113-115
DOI: https://doi.org/10.1353/dtc.2019.0008
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Authenticity in Contemporary Theatre and Performance: Make it Real by Daniel Schulze (review)

Nicole Dietze
pp. 116-118
DOI: https://doi.org/10.1353/dtc.2019.0009
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Acting Greek Tragedy by Graham Ley (review)

Tiffany Pounds-Williams
pp. 118-120
DOI: https://doi.org/10.1353/dtc.2019.0010
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The Laban Workbook for Actors: A Practical Training Guide with Video by Katya Bloom et al. (review)

Sebastian Samur
pp. 120-122
DOI: https://doi.org/10.1353/dtc.2019.0011
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The Rise of the Diva on the Sixteenth Century Commedia dell’Arte Stage by Rosalind Kerr (review)

Julia Schmitt
pp. 123-124
DOI: https://doi.org/10.1353/dtc.2019.0012
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The Theatre of Eugene O’Neill: American Modernism on the World Stage by Kurt Eisen (review)

Aaron Scully
pp. 125-127
DOI: https://doi.org/10.1353/dtc.2019.0013
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The Translator on Stage by Geraldine Brodie (review)

Daniel Smith
pp. 127-129
DOI: https://doi.org/10.1353/dtc.2019.0014
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Microdramas: Crucibles for Theater and Time by John H. Muse (review)

Jill Stevenson
pp. 130-132
DOI: https://doi.org/10.1353/dtc.2019.0015
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A History of Japanese Theatre ed. by Jonah Salz (review)

Kathy Welch
pp. 132-134
DOI: https://doi.org/10.1353/dtc.2019.0016
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Theatre and Aural Attention: Stretching Ourselves by George Home-Cook (review)

Peter Wood
pp. 134-136
DOI: https://doi.org/10.1353/dtc.2019.0017
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Books Received

pp. 137-146
DOI: https://doi.org/10.1353/dtc.2019.0018
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