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In this Issue

Table of Contents

Introduction

  1. O Teatro Brasileiro: Revisitando o Passado, Confrontando o Futuro
  2. Antonio Luciano Tosta, Robert H. Moser
  3. pp. 3-9
  4. DOI: https://doi.org/10.1353/ltr.2019.0000
  5. restricted access

Articles

  1. Quarto de Despejo no Palco: Staging Authenticity in Representations of Brazilian Poverty
  2. Elise M. Dietrich
  3. pp. 15-35
  4. DOI: https://doi.org/10.1353/ltr.2019.0001
  5. restricted access
  1. Theaters and the Popular-Elite Divide in São Paulo, Brazil, 1895–1922
  2. Aiala Levy
  3. pp. 37-54
  4. DOI: https://doi.org/10.1353/ltr.2019.0002
  5. restricted access
  1. Always (K)new: Recombining Identities and Queering Narratives through a Transcultural Theatre Project
  2. Robert H. Moser, Alberto Tibaji, George Contini
  3. pp. 55-79
  4. DOI: https://doi.org/10.1353/ltr.2019.0003
  5. restricted access
  1. Melodrama, Camp, and Sexuality in Nelson Rodrigues’s O Beijo no Asfalto
  2. Israel Pechstein
  3. pp. 81-98
  4. DOI: https://doi.org/10.1353/ltr.2019.0004
  5. restricted access
  1. Afro-Brazilian Women and Gendered Performance in the teatro de revista in the Long 1920s
  2. Lisa Shaw
  3. pp. 99-128
  4. DOI: https://doi.org/10.1353/ltr.2019.0005
  5. restricted access
  1. Domínio Público: Performing the Brazilian Conservative Turn
  2. Marcos Steuernagel
  3. pp. 129-147
  4. DOI: https://doi.org/10.1353/ltr.2019.0006
  5. restricted access
  1. The Siren’s Song; or, When an Amazonian Iara Sang Opera (in Italian) on a Belle Époque Stage
  2. Sarah J. Townsend
  3. pp. 149-167
  4. DOI: https://doi.org/10.1353/ltr.2019.0007
  5. restricted access

Interviews

  1. Entrevista com o Dr. Severino Albuquerque
  2. Antonio Luciano Tosta, Robert H. Moser
  3. pp. 169-175
  4. DOI: https://doi.org/10.1353/ltr.2019.0008
  5. restricted access

Festival Reports

  1. Mexico City’s Summer 2018 Theatre Season
  2. Timothy G. Compton
  3. pp. 177-187
  4. DOI: https://doi.org/10.1353/ltr.2019.0009
  5. restricted access
  1. XXXIII Festival Iberoamericano de Teatro de Cádiz 2018: memoria histórica, igualdad y conflictos de género
  2. Miguel Ángel Giella
  3. pp. 189-198
  4. DOI: https://doi.org/10.1353/ltr.2019.0010
  5. restricted access
  1. Muestra Nacional de Teatro, CDMX, 2018
  2. Enrique Mijares Verdín
  3. pp. 199-208
  4. DOI: https://doi.org/10.1353/ltr.2019.0011
  5. restricted access
  1. Las “mujeres drámáticas” y el teatro como sanación
  2. Laurietz Seda
  3. pp. 209-213
  4. DOI: https://doi.org/10.1353/ltr.2019.0012
  5. restricted access

Book Reviews

  1. The Fornes Frame: Contemporary Latina Playwrights and the Legacy of Maria Irene Fornes by Anne García-Romero (review)
  2. Roy Pérez
  3. pp. 215-216
  4. DOI: https://doi.org/10.1353/ltr.2019.0014
  5. restricted access
  1. El teatro cubano colonial y la caracterización lingüístico-cultural de sus personajes by Sergio Valdés Bernal (review)
  2. Munia Cabal Jiménez
  3. pp. 216-217
  4. DOI: https://doi.org/10.1353/ltr.2019.0017
  5. restricted access
  1. Teatro. Entre mitos y desiertos by Susana Lage (review)
  2. Grisby Ogás Puga
  3. pp. 217-218
  4. DOI: https://doi.org/10.1353/ltr.2019.0015
  5. restricted access
  1. Performance, Feminism and Affect in Neoliberal Times ed. by Elin Diamond, Denise Varney, and Candice Amich (review)
  2. Olga Sanchez Saltveit
  3. pp. 219-220
  4. DOI: https://doi.org/10.1353/ltr.2019.0013
  5. restricted access
  1. Latinx Theater in the Times of Neoliberalism by Patricia Ybarra (review)
  2. Curtis Russell
  3. pp. 220-221
  4. DOI: https://doi.org/10.1353/ltr.2019.0018
  5. restricted access
  1. The Unfinished Art of Theater: Avant-Garde Intellectuals in Mexico and Brazil by Sarah J. Townsend (review)
  2. Isadora Grevan de Carvalho
  3. pp. 221-222
  4. DOI: https://doi.org/10.1353/ltr.2019.0016
  5. restricted access