In this Issue

Table of Contents

"Actor Denied Straight Nose": Louis Wolheim and the Gendered Practice of Plastic Surgery in Silent-Era Hollywood

Heather Addison
pp. 1-20
DOI: https://doi.org/10.1353/cj.2019.0055
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"Hollywood" Hulk Hogan: Stardom, Synergy, and Field Migration

Holly Chard, Benjamin Litherland
pp. 21-44
DOI: https://doi.org/10.1353/cj.2019.0056
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Some Restrictions Apply: The Exhibition Spaces of Guantanamo Bay

Daniel Grinberg
pp. 45-72
DOI: https://doi.org/10.1353/cj.2019.0057
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The Searching Camera: First-Person Shooters, Found-Footage Horror Films, and the Documentary Tradition

Adam Charles Hart
pp. 73-91
DOI: https://doi.org/10.1353/cj.2019.0058
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Project Pigeon: Rendering the War Animal through Optical Technology

Benjamin Schultz-Figueroa
pp. 92-111
DOI: https://doi.org/10.1353/cj.2019.0059
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The Face in Flight: Andy Warhol's Henry Geldzahler

Juan A. suárez
pp. 112-133
DOI: https://doi.org/10.1353/cj.2019.0060
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In Focus: Cripping Cinema and Media Studies: Introduction

Robert McRuer
pp. 134-139
DOI: https://doi.org/10.1353/cj.2019.0042
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Studying Disability for a Better Cinema and Media Studies

Elizabeth Ellcessor, Bill Kirkpatrick
pp. 139-144
DOI: https://doi.org/10.1353/cj.2019.0043
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It's All the Same Movie: Making Code of the Freaks

Carrie Sandahl
pp. 145-150
DOI: https://doi.org/10.1353/cj.2019.0044
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Room for (Materiality's) Maneuver: Reading the Oppositional in Guillermo del Toro's The Shape of Water

David T. Mitchell, Sharon L. Snyder
pp. 150-156
DOI: https://doi.org/10.1353/cj.2019.0045
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Mediating Syndromes of Postcommunism: Disability, Sex, Race, and Labor

Kateřina Kolářová
pp. 156-162
DOI: https://doi.org/10.1353/cj.2019.0046
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The Many in the One: Depression and Multiple Subjectivities in Inside Out

Nicole Markotić
pp. 162-168
DOI: https://doi.org/10.1353/cj.2019.0047
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Contributors

pp. 168-169
DOI: https://doi.org/10.1353/cj.2019.0048
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Bright Signals: A History of Color Television by Susan Murray (review)

Joshua Yumibe
pp. 170-174
DOI: https://doi.org/10.1353/cj.2019.0049
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Agnès Varda between Film, Photography, and Art by Rebecca J. DeRoo (review)

Susan Felleman
pp. 174-178
DOI: https://doi.org/10.1353/cj.2019.0050
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Spectacle of Property: The House in American Film by John David Rhodes (review)

Conn Holohan
pp. 179-182
DOI: https://doi.org/10.1353/cj.2019.0051
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Trap Door: Trans Cultural Production and the Politics of Visibility ed. by Reina Gossett, Eric A. Stanley, and Johanna Burton (review)

Cáel M. Keegan
pp. 183-186
DOI: https://doi.org/10.1353/cj.2019.0052
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Struggling for Ordinary: Media and Transgender Belonging in Everyday Life by Andre Cavalcante (review)

Eliza Steinbock
pp. 186-190
DOI: https://doi.org/10.1353/cj.2019.0053
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Contributors

pp. 190-191
DOI: https://doi.org/10.1353/cj.2019.0054
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