1. "Actor Denied Straight Nose": Louis Wolheim and the Gendered Practice of Plastic Surgery in Silent-Era Hollywood
  2. Heather Addison
  3. pp. 1-20
  4. DOI: 10.1353/cj.2019.0055
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  1. "Hollywood" Hulk Hogan: Stardom, Synergy, and Field Migration
  2. Holly Chard, Benjamin Litherland
  3. pp. 21-44
  4. DOI: 10.1353/cj.2019.0056
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  1. Some Restrictions Apply: The Exhibition Spaces of Guantanamo Bay
  2. Daniel Grinberg
  3. pp. 45-72
  4. DOI: 10.1353/cj.2019.0057
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  1. The Searching Camera: First-Person Shooters, Found-Footage Horror Films, and the Documentary Tradition
  2. Adam Charles Hart
  3. pp. 73-91
  4. DOI: 10.1353/cj.2019.0058
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  1. Project Pigeon: Rendering the War Animal through Optical Technology
  2. Benjamin Schultz-Figueroa
  3. pp. 92-111
  4. DOI: 10.1353/cj.2019.0059
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  1. The Face in Flight: Andy Warhol's Henry Geldzahler
  2. Juan A. suárez
  3. pp. 112-133
  4. DOI: 10.1353/cj.2019.0060
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  1. In Focus: Cripping Cinema and Media Studies: Introduction
  2. Robert McRuer
  3. pp. 134-139
  4. DOI: 10.1353/cj.2019.0042
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  1. Studying Disability for a Better Cinema and Media Studies
  2. Elizabeth Ellcessor, Bill Kirkpatrick
  3. pp. 139-144
  4. DOI: 10.1353/cj.2019.0043
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  1. It's All the Same Movie: Making Code of the Freaks
  2. Carrie Sandahl
  3. pp. 145-150
  4. DOI: 10.1353/cj.2019.0044
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  1. Room for (Materiality's) Maneuver: Reading the Oppositional in Guillermo del Toro's The Shape of Water
  2. David T. Mitchell, Sharon L. Snyder
  3. pp. 150-156
  4. DOI: 10.1353/cj.2019.0045
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  1. Mediating Syndromes of Postcommunism: Disability, Sex, Race, and Labor
  2. Kateřina Kolářová
  3. pp. 156-162
  4. DOI: 10.1353/cj.2019.0046
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  1. The Many in the One: Depression and Multiple Subjectivities in Inside Out
  2. Nicole Markotić
  3. pp. 162-168
  4. DOI: 10.1353/cj.2019.0047
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  1. Contributors
  2. pp. 168-169
  3. DOI: 10.1353/cj.2019.0048
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  1. Bright Signals: A History of Color Television by Susan Murray (review)
  2. Joshua Yumibe
  3. pp. 170-174
  4. DOI: 10.1353/cj.2019.0049
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  1. Agnès Varda between Film, Photography, and Art by Rebecca J. DeRoo (review)
  2. Susan Felleman
  3. pp. 174-178
  4. DOI: 10.1353/cj.2019.0050
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  1. Spectacle of Property: The House in American Film by John David Rhodes (review)
  2. Conn Holohan
  3. pp. 179-182
  4. DOI: 10.1353/cj.2019.0051
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  1. Trap Door: Trans Cultural Production and the Politics of Visibility ed. by Reina Gossett, Eric A. Stanley, and Johanna Burton (review)
  2. Cáel M. Keegan
  3. pp. 183-186
  4. DOI: 10.1353/cj.2019.0052
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  1. Struggling for Ordinary: Media and Transgender Belonging in Everyday Life by Andre Cavalcante (review)
  2. Eliza Steinbock
  3. pp. 186-190
  4. DOI: 10.1353/cj.2019.0053
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  1. Contributors
  2. pp. 190-191
  3. DOI: 10.1353/cj.2019.0054
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