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Table of Contents

  1. Medium Thickness: Phenomenology, Plasticity, and the Future of Form
  2. John Lurz
  3. pp. 147-166
  4. DOI: https://doi.org/10.13110/criticism.61.2.0147
  5. restricted access
  1. Beyond Bad Faith: Cultural Criticism and Instrumentality
  2. Alastair Morrison
  3. pp. 167-189
  4. DOI: https://doi.org/10.13110/criticism.61.2.0167
  5. restricted access
  1. The Misdiagnosis of Critique
  2. Gila Ashtor
  3. pp. 191-217
  4. DOI: https://doi.org/10.1353/crt.2019.a730036
  5. restricted access
  1. Caption, Snapshot, Archive: On Allen Ginsberg's Photo-Poems
  2. Megan Tusler
  3. pp. 219-244
  4. DOI: https://doi.org/10.13110/criticism.61.2.0219
  5. restricted access
  1. "It's Not Blood, It's Red": Color as Category, Color as Sensation in Jean-Luc Godard's Le Mépris, Pierrot Le Fou, Weekend, and Passion
  2. Colin Gardner
  3. pp. 245-270
  4. DOI: https://doi.org/10.1353/crt.2019.a730038
  5. restricted access
  1. Monkey Wrench?: Virtues of a Weak Posthumanism
  2. Mads Rosendahl Thomsen
  3. pp. 271-273
  4. DOI: https://doi.org/10.13110/criticism.61.2.0271
  5. restricted access
  1. Governing Difference: Reflecting on the Bio-Politics of Cure
  2. Xuan Thuy Nguyen
  3. pp. 275-279
  4. DOI: https://doi.org/10.13110/criticism.61.2.0275
  5. restricted access
  1. Ghostly Narratives and the Limits of Fiction
  2. Hannah Manshel
  3. pp. 281-284
  4. DOI: https://doi.org/10.13110/criticism.61.2.0281
  5. restricted access