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In this Issue

Table of Contents

  1. Introduction
  2. Viet Thanh Nguyen
  3. pp. 9-10
  4. DOI: https://doi.org/10.1353/plo.2019.0045
  5. restricted access
  1. Doorway to Darkness
  2. Kenneth Calhoun
  3. pp. 11-24
  4. DOI: https://doi.org/10.1353/plo.2019.0046
  5. restricted access
  1. Prison in the Age of Euphemisms
  2. Alex Chertok
  3. pp. 25-32
  4. DOI: https://doi.org/10.1353/plo.2019.0047
  5. restricted access
  1. Mauro and Elena
  2. Patricia Engel
  3. pp. 33-48
  4. DOI: https://doi.org/10.1353/plo.2019.0048
  5. restricted access
  1. Immediate Family
  2. Roxane Gay
  3. pp. 49-60
  4. DOI: https://doi.org/10.1353/plo.2019.0049
  5. restricted access
  1. Stop
  2. James Hannaham
  3. p. 61
  4. DOI: https://doi.org/10.1353/plo.2019.0050
  5. restricted access
  1. ᛉ
  2. James Hannaham
  3. pp. 62-63
  4. DOI: https://doi.org/10.1353/plo.2019.0051
  5. restricted access
  1. River, and: Slavish Rhythm, and: Dialectic
  2. James Hannaham
  3. pp. 64-66
  4. DOI: https://doi.org/10.1353/plo.2019.0052
  5. restricted access
  1. Lifestyle Issue
  2. James Hannaham
  3. pp. 67-68
  4. DOI: https://doi.org/10.1353/plo.2019.0053
  5. restricted access
  1. Flash, and: Felt
  2. James Hannaham
  3. pp. 69-70
  4. DOI: https://doi.org/10.1353/plo.2019.0054
  5. restricted access
  1. Cookie Monster Shares
  2. James Hannaham
  3. pp. 71-72
  4. DOI: https://doi.org/10.1353/plo.2019.0055
  5. restricted access
  1. In Twilight, and: The Person in Question, and: Dear White Woman I Nearly Hit With My Car This Morning:
  2. James Hannaham
  3. pp. 73-76
  4. DOI: https://doi.org/10.1353/plo.2019.0056
  5. restricted access
  1. I Only Had Eyes for You
  2. Yaron Kaver
  3. pp. 77-93
  4. DOI: https://doi.org/10.1353/plo.2019.0057
  5. restricted access
  1. Excerpt from The Other Americans
  2. Laila Lalami
  3. pp. 94-97
  4. DOI: https://doi.org/10.1353/plo.2019.0058
  5. restricted access
  1. Overlong and thus Unsuccessfully Submitted Yelp Review of the Agnes Martin Show at the Los Angeles County Museum of Art (Apr. 24-Sept. 11, 2016) by Anonymous
  2. Yxta Maya Murray
  3. pp. 98-105
  4. DOI: https://doi.org/10.1353/plo.2019.0059
  5. restricted access
  1. Butterfly at Rest
  2. Scott Nadelson
  3. pp. 106-115
  4. DOI: https://doi.org/10.1353/plo.2019.0060
  5. restricted access
  1. Public Opinion
  2. Kunwar Narain, John Vater
  3. pp. 116-120
  4. DOI: https://doi.org/10.1353/plo.2019.0061
  5. restricted access
  1. Welcome Me to the Kingdom
  2. Mai Nardone
  3. pp. 121-135
  4. DOI: https://doi.org/10.1353/plo.2019.0062
  5. restricted access
  1. Am I a Thief?
  2. Lynne Sharon Schwartz
  3. pp. 136-140
  4. DOI: https://doi.org/10.1353/plo.2019.0063
  5. restricted access
  1. Glacier
  2. Rob Magnuson Smith
  3. pp. 141-152
  4. DOI: https://doi.org/10.1353/plo.2019.0064
  5. restricted access
  1. Tawny Scrawny Lion
  2. Susan Straight
  3. pp. 153-164
  4. DOI: https://doi.org/10.1353/plo.2019.0065
  5. restricted access
  1. Hunts and Saboteurs
  2. Elizabeth Strout
  3. pp. 165-182
  4. DOI: https://doi.org/10.1353/plo.2019.0066
  5. restricted access
  1. Origins
  2. Vu Tran
  3. pp. 183-191
  4. DOI: https://doi.org/10.1353/plo.2019.0067
  5. restricted access
  1. A Roman Winter
  2. Novuyo Rosa Tshuma
  3. pp. 192-202
  4. DOI: https://doi.org/10.1353/plo.2019.0068
  5. restricted access
  1. The Ashley Leigh Bourne Prize for Fiction
  3. pp. 203-205
  4. DOI: https://doi.org/10.1353/plo.2019.0069
  5. restricted access
  1. Editors' Shelf: Book Recommendations from Our Former Guest Editors
  3. pp. 206-207
  4. DOI: https://doi.org/10.1353/plo.2019.0070
  5. restricted access
  1. Editors' Corner: New Work by Former Guest Editors
  3. p. 207
  4. DOI: https://doi.org/10.1353/plo.2019.0071
  5. restricted access
  1. Contributors' Notes
  3. pp. 208-211
  4. DOI: https://doi.org/10.1353/plo.2019.0072
  5. restricted access