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Table of Contents

  1. Erratum
  2. p. v
  3. restricted access
  1. "At the Bottom": Lytton Strachey and the Sodomitical Archive
  2. Matthew Clarke
  3. pp. 1-18
  4. DOI: https://doi.org/10.2979/jmodelite.42.3.01
  5. restricted access
  1. The Heterodox Psychology and Queer Poetics of Auden in the 1930s
  2. Jennifer Spitzer
  3. pp. 19-38
  4. DOI: https://doi.org/10.2979/jmodelite.42.3.02
  5. restricted access
  1. Sheiks, Sweetbacks, and Harlem Renaissance Sexuality, or the Chauncey Thesis at Twenty-Five
  2. Benjamin Kahan
  3. pp. 39-54
  4. DOI: https://doi.org/10.2979/jmodelite.42.3.03
  5. restricted access
  1. Intimacy, Epistolarity, and the Work of Queer Mourning in James Schuyler's Poetry
  2. Siobhan Phillips
  3. pp. 55-73
  4. DOI: https://doi.org/10.2979/jmodelite.42.3.04
  5. restricted access
  1. The Narrative of Grief in Ted Hughes's Crow
  2. Patrick Jackson
  3. pp. 74-91
  4. DOI: https://doi.org/10.2979/jmodelite.42.3.05
  5. restricted access
  1. Resisting Loss: Guilt and Consolation in Ian McEwan's Atonement
  2. Elizabeth Weston
  3. pp. 92-109
  4. DOI: https://doi.org/10.2979/jmodelite.42.3.06
  5. restricted access
  1. Disgust in Silhouette: Toni Morrison, Kara Walker, and the Aesthetics of Violence
  2. Anna Ioanes
  3. pp. 110-128
  4. DOI: https://doi.org/10.2979/jmodelite.42.3.07
  5. restricted access
  1. Beholding: Visuality and Postcritical Reading in Ali Smith's How to be both
  2. Cara L. Lewis
  3. pp. 129-150
  4. DOI: https://doi.org/10.2979/jmodelite.42.3.08
  5. restricted access
  1. Consuming Surfaces: Decadent Aesthetics in The Debt to Pleasure
  2. Frederick D. King, Alison Lee
  3. pp. 151-168
  4. DOI: https://doi.org/10.2979/jmodelite.42.3.09
  5. restricted access
  1. Neoliberal Disgust in Aravind Adiga's: The White Tiger
  2. Alexander Adkins
  3. pp. 169-188
  4. DOI: https://doi.org/10.2979/jmodelite.42.3.10
  5. restricted access