1. Erratum
  2. p. v
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  1. "At the Bottom": Lytton Strachey and the Sodomitical Archive
  2. Matthew Clarke
  3. pp. 1-18
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  1. The Heterodox Psychology and Queer Poetics of Auden in the 1930s
  2. Jennifer Spitzer
  3. pp. 19-38
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  1. Sheiks, Sweetbacks, and Harlem Renaissance Sexuality, or the Chauncey Thesis at Twenty-Five
  2. Benjamin Kahan
  3. pp. 39-54
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  1. Intimacy, Epistolarity, and the Work of Queer Mourning in James Schuyler's Poetry
  2. Siobhan Phillips
  3. pp. 55-73
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  1. The Narrative of Grief in Ted Hughes's Crow
  2. Patrick Jackson
  3. pp. 74-91
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  1. Resisting Loss: Guilt and Consolation in Ian McEwan's Atonement
  2. Elizabeth Weston
  3. pp. 92-109
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  1. Disgust in Silhouette: Toni Morrison, Kara Walker, and the Aesthetics of Violence
  2. Anna Ioanes
  3. pp. 110-128
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  1. Beholding: Visuality and Postcritical Reading in Ali Smith's How to be both
  2. Cara L. Lewis
  3. pp. 129-150
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  1. Consuming Surfaces: Decadent Aesthetics in The Debt to Pleasure
  2. Frederick D. King, Alison Lee
  3. pp. 151-168
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  1. Neoliberal Disgust in Aravind Adiga's: The White Tiger
  2. Alexander Adkins
  3. pp. 169-188
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  1. The Culture of Excess: A Review of George Cotkin's Feast of Excess: A Cultural History of the New Sensibility
  2. Scott C. Thompson
  3. pp. 189-192
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