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Table of Contents

  1. Editor's Introduction
  2. Andreea Deciu Ritivoi
  3. pp. vii-xii
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  1. Introduction: The Ideological Ramifications of Narrative Strategies
  2. Jan Alber
  3. pp. 3-25
  4. DOI: https://doi.org/10.5250/storyworlds.9.1-2.0003
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  1. Cambodian American Memoirs and the Politics of Narrative Strategies
  2. Sue J. Kim
  3. pp. 27-49
  4. DOI: https://doi.org/10.5250/storyworlds.9.1-2.0027
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  1. Ideological Tension and Formal Experimentation in Vic Reid's New Day
  2. Jana Gohrisch
  3. pp. 71-93
  4. DOI: https://doi.org/10.5250/storyworlds.9.1-2.0071
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  1. The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power
  2. Merle Tönnies
  3. pp. 95-120
  4. DOI: https://doi.org/10.5250/storyworlds.9.1-2.0095
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  1. Invention as Intervention in the Rhetoric of Barack Obama
  2. Stefan Iversen, Henrik Skov Nielsen
  3. pp. 121-142
  4. DOI: https://doi.org/10.5250/storyworlds.9.1-2.0121
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  1. Arachnographia: On Spidery Writing
  2. David Punter
  3. pp. 143-157
  4. DOI: https://doi.org/10.5250/storyworlds.9.1-2.0143
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  1. Indigeneity and Narrative Strategies: Ideology in Contemporary Non-indigenous Australian Prose Fiction
  2. Jan Alber
  3. pp. 159-181
  4. DOI: https://doi.org/10.5250/storyworlds.9.1-2.0159
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  1. What Is Realism?
  2. David R. Shumway
  3. pp. 183-195
  4. DOI: https://doi.org/10.5250/storyworlds.9.1-2.0183
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  1. Is Metaleptic Fiction Paradoxical?
  2. Tobias Klauk, Tilmann Köppe
  3. pp. 197-223
  4. DOI: https://doi.org/10.5250/storyworlds.9.1-2.0197
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  1. The Selfish Genre: Agency, Metalepsis, and Narratives of Evolution
  2. Jamie Milton Freestone
  3. pp. 225-246
  4. DOI: https://doi.org/10.5250/storyworlds.9.1-2.0225
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  1. Storytelling and Ethics: Literature, Visual Arts and the Power of Narrative ed. by Hanna Meretoja and Colin Davis (review)
  2. Jakob Lothe
  3. pp. 247-257
  4. DOI: https://doi.org/10.1353/stw.2017.0006
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