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Table of Contents

  1. Editors' Foreword
  2. Donald Crafton, Susan Ohmer
  3. pp. vii-xi
  4. DOI: https://doi.org/10.5749/movingimage.18.2.0vii
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  1. Rooster Play: Pathé Frères and the Beginnings of In-Frame Trademarks
  2. Jan Olsson
  3. pp. 1-47
  4. DOI: https://doi.org/10.5749/movingimage.18.2.0001
  5. free access
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  1. Riding, Shooting, Viewing: Railroads, Amusement Parks, and the Experience of Place in Early Hollywood
  2. Dimitrios Latsis
  3. pp. 48-71
  4. DOI: https://doi.org/10.5749/movingimage.18.2.0048
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  1. Belonging to the Interwar World: Tracing the Travelogues of Colin Ross
  2. Nico De Klerk
  3. pp. 72-102
  4. DOI: https://doi.org/10.5749/movingimage.18.2.0072
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  1. A Record for Your Television: The Capacitance Electronic Disc's History of Failure
  2. Jimi Jones, Landon Palmer
  3. pp. 103-131
  4. DOI: https://doi.org/10.5749/movingimage.18.2.0103
  5. restricted access
  1. Secrets of the Night: The Discovery and Preservation of a "Lost" Silent Film
  2. Brock Silversides, Christina Stewart
  3. pp. 132-141
  4. DOI: https://doi.org/10.5749/movingimage.18.2.0132
  5. restricted access
  1. The Persistence of Plantation Paternalism: Moving Image Representations of Agriculture on O'ahu, Hawai'i
  2. Monique Mironesco
  3. pp. 141-154
  4. DOI: https://doi.org/10.5749/movingimage.18.2.0141
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  1. Horrible Histories of Cinema: Archival Outreach at the Fondation Jérôme Seydoux-Pathé
  2. Tim Palmer, Liza Palmer, Anne Gourdet-Marès
  3. pp. 155-167
  4. DOI: https://doi.org/10.5749/movingimage.18.2.0155
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  1. The American Marshall Plan Film Campaign and the Europeans: A Captivated Audience? by Maria Fritsche (review)
  2. Joachim Schätz
  3. pp. 168-171
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  1. Pioneers: First Women Filmmakers by Kino Lorber (review)
  2. Jeremy Carr
  3. pp. 171-174
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