In this Issue

Table of Contents

Editors' Foreword

Donald Crafton, Susan Ohmer
pp. vii-xi
DOI: https://doi.org/10.5749/movingimage.18.2.0vii
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Rooster Play: Pathé Frères and the Beginnings of In-Frame Trademarks

Jan Olsson
pp. 1-47
DOI: https://doi.org/10.5749/movingimage.18.2.0001
free access

Riding, Shooting, Viewing: Railroads, Amusement Parks, and the Experience of Place in Early Hollywood

Dimitrios Latsis
pp. 48-71
DOI: https://doi.org/10.5749/movingimage.18.2.0048
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Belonging to the Interwar World: Tracing the Travelogues of Colin Ross

Nico De Klerk
pp. 72-102
DOI: https://doi.org/10.5749/movingimage.18.2.0072
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A Record for Your Television: The Capacitance Electronic Disc's History of Failure

Jimi Jones, Landon Palmer
pp. 103-131
DOI: https://doi.org/10.5749/movingimage.18.2.0103
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Secrets of the Night: The Discovery and Preservation of a "Lost" Silent Film

Brock Silversides, Christina Stewart
pp. 132-141
DOI: https://doi.org/10.5749/movingimage.18.2.0132
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The Persistence of Plantation Paternalism: Moving Image Representations of Agriculture on O'ahu, Hawai'i

Monique Mironesco
pp. 141-154
DOI: https://doi.org/10.5749/movingimage.18.2.0141
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Horrible Histories of Cinema: Archival Outreach at the Fondation Jérôme Seydoux-Pathé

Tim Palmer, Liza Palmer, Anne Gourdet-Marès
pp. 155-167
DOI: https://doi.org/10.5749/movingimage.18.2.0155
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The American Marshall Plan Film Campaign and the Europeans: A Captivated Audience? by Maria Fritsche (review)

Joachim Schätz
pp. 168-171
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Pioneers: First Women Filmmakers by Kino Lorber (review)

Jeremy Carr
pp. 171-174
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