1. Above the Power of Human Nature: Defoe, Necessity, and Natural Law
  2. Nathan Peterson
  3. pp. 1-21
  4. DOI: 10.1353/ecy.2019.0007
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  1. Saved by God's "Grease": The Pathology of Political Bodies in Smollett's Humphry Clinker
  2. Pierce Williams
  3. pp. 23-44
  4. DOI: 10.1353/ecy.2019.0010
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  1. The Eighteenth-Century Review Journal as Allegory: Smollett's Critical Review and the Work of Criticism
  2. Richard J. Jones
  3. pp. 45-63
  4. DOI: 10.1353/ecy.2019.0004
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  1. Mimicry, Property, and the Reproduction of Celebrity in Eighteenth-Century England
  2. Jane Wessel
  3. pp. 65-86
  4. DOI: 10.1353/ecy.2019.0009
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  1. Of Calendars and Graphs: Transformations of the Succession Concept in British Moral Philosophy
  2. Collin Jennings
  3. pp. 87-105
  4. DOI: 10.1353/ecy.2019.0003
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  1. Narrative, Bodies, and the Performance of Citizenship
  2. Jennifer Golightly
  3. pp. 107-110
  4. DOI: 10.1353/ecy.2019.0001
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  1. Experiments on the Stage
  2. Jan Golinski
  3. pp. 111-114
  4. DOI: 10.1353/ecy.2019.0002
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  1. A Reluctantly Rebellious Jonathan Swift
  2. Robert Mahony
  3. pp. 115-118
  4. DOI: 10.1353/ecy.2019.0005
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  1. Revolution, History, and the Failure of Romantic Prophecy
  2. Orianne Smith
  3. pp. 119-121
  4. DOI: 10.1353/ecy.2019.0008
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  1. Revivifying Colley Cibber
  2. Lisa A. Freeman
  3. pp. 123-126
  4. DOI: 10.1353/ecy.2019.0000
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  1. Notes on Contributors
  2. pp. 127-128
  3. DOI: 10.1353/ecy.2019.0006
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