In this Issue

Table of Contents

Introduction : le cinéma maghrébin transnational sous toutes ses formes

Will Higbee
pp. 7-17
DOI: https://doi.org/10.1353/exp.2019.0000
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Le transnationalisme dé-routant et nomadique des réalisatrices marocaines

Florence Martin
pp. 19-36
DOI: https://doi.org/10.1353/exp.2019.0001
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Adventures of a Transnational African Distributor: An Interview with Izza Génini

Will Higbee, Florence Martin
pp. 37-46
DOI: https://doi.org/10.1353/exp.2019.0002
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Trans-Indigenous Aesthetics and Practices in Moroccan Amazigh Film and Video

Sheila Petty, Brahim Benbouazza
pp. 47-62
DOI: https://doi.org/10.1353/exp.2019.0003
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Entre immersion et contestation : le nouveau documentaire transnational au Maghreb

Meryem Belkaïd
pp. 63-79
DOI: https://doi.org/10.1353/exp.2019.0004
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Thinking about Documentary with Kaouther Ben Hania

Laura Reeck
pp. 81-97
DOI: https://doi.org/10.1353/exp.2019.0005
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Transnational Hauntings: Globalization, Social Inequality, and the Specters of Radical Islam in Laila Marrakchi's Marock (2005)

Jamal Bahmad
pp. 99-111
DOI: https://doi.org/10.1353/exp.2019.0006
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"Si le spectateur européen ne s'ouvre pas à nos films, il s'enferme" : An Interview with Ahmed El Maanouni

Will Higbee, Florence Martin
pp. 113-125
DOI: https://doi.org/10.1353/exp.2019.0007
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Francophonie littéraire et échanges intersystémiques avec le système littéraire non francophone : un double transfert de capital symbolique

Mickaëlle Cedergren
pp. 129-155
DOI: https://doi.org/10.1353/exp.2019.0008
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Contesting the Harki Legacy: Historical Rewritings and Memory-Retrievals in Dalila Kerchouche's Mon père, ce harki

Meritxell Joan-Rodríguez
pp. 157-173
DOI: https://doi.org/10.1353/exp.2019.0009
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Une esthétique du bazar

Hervé Sanson
pp. 175-196
DOI: https://doi.org/10.1353/exp.2019.0010
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Notices bio-bibliographiques

pp. 197-204
DOI: https://doi.org/10.1353/exp.2019.0011
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