1. Introduction : le cinéma maghrébin transnational sous toutes ses formes
  2. Will Higbee
  3. pp. 7-17
  4. DOI: 10.1353/exp.2019.0000
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  1. Le transnationalisme dé-routant et nomadique des réalisatrices marocaines
  2. Florence Martin
  3. pp. 19-36
  4. DOI: 10.1353/exp.2019.0001
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  1. Adventures of a Transnational African Distributor: An Interview with Izza Génini
  2. Will Higbee, Florence Martin
  3. pp. 37-46
  4. DOI: 10.1353/exp.2019.0002
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  1. Trans-Indigenous Aesthetics and Practices in Moroccan Amazigh Film and Video
  2. Sheila Petty, Brahim Benbouazza
  3. pp. 47-62
  4. DOI: 10.1353/exp.2019.0003
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  1. Entre immersion et contestation : le nouveau documentaire transnational au Maghreb
  2. Meryem Belkaïd
  3. pp. 63-79
  4. DOI: 10.1353/exp.2019.0004
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  1. Thinking about Documentary with Kaouther Ben Hania
  2. Laura Reeck
  3. pp. 81-97
  4. DOI: 10.1353/exp.2019.0005
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  1. Transnational Hauntings: Globalization, Social Inequality, and the Specters of Radical Islam in Laila Marrakchi's Marock (2005)
  2. Jamal Bahmad
  3. pp. 99-111
  4. DOI: 10.1353/exp.2019.0006
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  1. "Si le spectateur européen ne s'ouvre pas à nos films, il s'enferme" : An Interview with Ahmed El Maanouni
  2. Will Higbee, Florence Martin
  3. pp. 113-125
  4. DOI: 10.1353/exp.2019.0007
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  1. Francophonie littéraire et échanges intersystémiques avec le système littéraire non francophone : un double transfert de capital symbolique
  2. Mickaëlle Cedergren
  3. pp. 129-155
  4. DOI: 10.1353/exp.2019.0008
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  1. Contesting the Harki Legacy: Historical Rewritings and Memory-Retrievals in Dalila Kerchouche's Mon père, ce harki
  2. Meritxell Joan-Rodríguez
  3. pp. 157-173
  4. DOI: 10.1353/exp.2019.0009
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  1. Une esthétique du bazar
  2. Hervé Sanson
  3. pp. 175-196
  4. DOI: 10.1353/exp.2019.0010
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  1. Notices bio-bibliographiques
  3. pp. 197-204
  4. DOI: 10.1353/exp.2019.0011
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