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In this Issue

Table of Contents

Editorial

  1. Reflections on the Leonardo 50th Anniversary Celebrations
  2. Nina Czegledy
  3. p. 216
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Leonardo Gallery

  1. Scientific Delirium Madness 5.0
  2. Margot H. Knight
  3. p. 219
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Artist’s Article

  1. Quantum Computing and Complexity in Art
  2. Libby Heaney
  3. pp. 230-235
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Artists’ Note

  1. Artistic Approaches to Design and Manufacturing Techniques Dedicated to Space Applications
  2. Guerric De Crombrugghe, Frederik De Wilde
  3. pp. 236-239
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General Articles

  1. Automatism, Autonomy and Aesthetics in the Performing Arts
  2. Edmond Couchot
  3. pp. 240-246
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  1. Cybernetic-Existentialism in Performance Art
  2. Steve Dixon
  3. pp. 247-254
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  1. Computer Vision Models to Categorize Art Collections According to Visual Content: A New Approach to the Abstract Art of Antoni Tàpies
  2. Pilar Rosado
  3. pp. 255-260
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  1. Land-Grant Hybrids: From Art and Technology to SEAD
  2. Kari Zacharias, Matthew Wisnioski
  3. pp. 261-270
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Color Plates

  1. Cybernetic-Existentialism in Performance Art
  2. p. 271
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  1. The Art of the Periodic Table
  2. p. 272
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  1. Legitimizing Boundary Crossing for the Average Scientist: Two Cases Acknowledging How Arts Practice Informs Science
  2. p. 273
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  1. Exiting the Comfort Zone: From Algorithm to Interaction in the Early Work of Simon Biggs
  2. p. 274
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General Notes

  1. A Note on “Demediation”: From Book Art to Transmedia Storytelling
  2. Jan Baetens, Domingo Sánchez-Mesa
  3. pp. 275-278
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  1. Cartography of Tree Space
  2. Satyan L. Devadoss, Owen Schuh
  3. pp. 279-283
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Statements

  1. Survey and Analysis of Interactive Art Documentation, 1979–2017
  2. Ji Yoon Jang, Byeongwon Ha, Byungjoo Lee
  3. pp. 284-285
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  1. Remnance of Form: Interactive Shadows as Altered Views of Objects
  2. Sang-won Leigh, Asta Roseway, Ann Paradiso
  3. pp. 286-287
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  1. The Woman Scientist: Brief Reflections on the Visual Representation of Women
  2. Kendra H. Oliver, Eve Moll, Marilyn Murphy
  3. pp. 288-289
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  1. Patent-Bot
  2. James Sham, Patrick Killoran, Neil Rubens, Brian A. Korgel
  3. pp. 290-291
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Special Section: Art and Atoms

  1. The Art of the Periodic Table
  2. Tami I. Spector
  3. pp. 292-299
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Special Section: ArtScience

  1. The Artificial Memory of Mr. Polly: Memory Simulation in Databases and the Emergence of Knowledge
  2. Gisela Susanne Bahr, William H. Allen, Philip J. Bernhard, Stephen Wood
  3. pp. 300-304
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  1. Legitimizing Boundary Crossing for the Average Scientist: Two Cases Acknowledging How Arts Practice Informs Science
  2. Jenny Rock, Sunkita Howard
  3. pp. 305-308
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Special Section: Pioneers and Pathbreakers

  1. Exiting the Comfort Zone: From Algorithm to Interaction in the Early Work of Simon Biggs
  2. Simon Biggs
  3. pp. 309-313
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  1. The VanDerBeek-Knowlton Movies
  2. A. Michael Noll
  3. pp. 314-319
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  1. Alex Adriaansens: 1953–2018
  2. Andreas Broeckmann
  3. p. 320
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  1. Helen Harrison: 1927–2018
  2. Newton Harrison
  3. pp. 321-322
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Leonardo Reviews

  1. Cognitive Gadgets: The Cultural Evolution of Thinking by Cecilia Heyes (review)
  2. Jan Baetens
  3. pp. 323-324
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  1. Success through Failure: The Paradox of Design by Henry Petroski (review)
  2. John F. Barber
  3. pp. 324-325
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  1. Traversals: The Use of Preservation for Early Electronic Writing by Stuart Moulthrop, Dene Grigar (review)
  2. Jan Baetens
  3. pp. 325-326
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  1. In the Grand Tradition: The Enduring Art of Elbert Weinberg ed. by Nancy Finlay (review)
  2. Robert Maddox-Harle (aka Rob Harle)
  3. p. 327
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  1. Introduction to Graphic Design: A Guide to Thinking, Process, and Style by Aaris Sherin (review)
  2. John F. Barber
  3. p. 328
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  1. Movement, Action, Image, Montage: Sergei Eisenstein and the Cinema in Crisis by Luka Arsenjuk (review)
  2. Will Luers
  3. pp. 328-329
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  1. Quantum Art and Uncertainty by Paul Thomas (review)
  2. Brian Reffin Smith
  3. pp. 329-331
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  1. Ecology without Culture: Aesthetics for a Toxic World by Christine L. Marran (review)
  2. Edith Doove
  3. pp. 331-332
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  1. The Internet Trap: How the Digital Economy Builds Monopolies and Undermines Democracy by Matthew Hindman (review)
  2. Hannah Drayson
  3. pp. 332-333
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  1. Black Out: Silhouettes Then and Now by Asma Naeem (review)
  2. Amy Ione
  3. pp. 333-336
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  1. Leonardo Reviews Online
  2. p. 336
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  1. The Network
  2. pp. 337-338
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Endnote

  1. Leonardo, a Hologram: Still Unmatched, 500 Years after His Death
  2. Jürgen Claus
  3. p. 339
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