1. Metonymy, Poetics, Performance: World-Making and the Real
  2. Dale Tracy
  3. pp. 5-23
  4. DOI: 10.1353/mml.2018.0007
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  1. It Just Don't Do" (What You Think It Does): The Periperformative Possibilities of Julie Harris's Face
  2. Rachel Walerstein
  3. pp. 25-53
  4. DOI: 10.1353/mml.2018.0008
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  1. Love in the Visual Field: Cinephiliac Moment, Truth-Event, Movement of Thought
  2. Jeremy De Chavez
  3. pp. 55-73
  4. DOI: 10.1353/mml.2018.0009
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  1. Hedonistic Responsibility: Pain, Pleasure, Experiment, and Empathy in Lily Hoang's Parabola
  2. Michele Janette
  3. pp. 75-101
  4. DOI: 10.1353/mml.2018.0010
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  1. The Poetics of African-American Un/Reality in Edward P. Jones's The Known World
  2. Janet Feight
  3. pp. 103-119
  4. DOI: 10.1353/mml.2018.0011
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  1. Reading the Mesh of Metonymy in Bleak House
  2. Michael Lesiuk
  3. pp. 121-145
  4. DOI: 10.1353/mml.2018.0000
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  1. Reviving and Revising Cuchulain: W B. Yeats's Struggle to Create a Postcolonial Culture Hero
  2. Heather McCracken
  3. pp. 147-172
  4. DOI: 10.1353/mml.2018.0001
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  1. Tramping with Jack London: Poverty, Performance, and Social Critique in The Road
  2. Kevin Swafford
  3. pp. 173-195
  4. DOI: 10.1353/mml.2018.0002
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  1. Mrs. Oedipa Maas: Motherhood, Originality, and Meaning in The Crying of Lot 49
  2. Constance Beitzel
  3. pp. 197-220
  4. DOI: 10.1353/mml.2018.0003
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  1. Science Fiction and the Mass Cultural Genre System by John Rieder (review)
  2. Matthew Holder
  3. pp. 221-224
  4. DOI: 10.1353/mml.2018.0004
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  1. Building Natures Modern American Poetry, Landscape Architecture, and City Planning by Julia E. Daniel (review)
  2. Mika Kennedy
  3. pp. 225-228
  4. DOI: 10.1353/mml.2018.0005
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  1. Notes on Contributors
  2. pp. 229-230
  3. DOI: 10.1353/mml.2018.0006
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