Prologue

  1. Prologue
  2. Elizabeth R. Wright
  3. p. 5
  4. DOI: 10.1353/boc.2018.0051
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  1. Retrato y Semblanza
  2. Charles Victor Ganelin
  3. pp. 6-8
  4. DOI: 10.1353/boc.2018.0053
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Articles

  1. Pulling Strings: Puppets and Free Will on the Spanish Stage
  2. Dale Shuger
  3. pp. 13-31
  4. DOI: 10.1353/boc.2018.0048
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  1. ¿Qué bizarrías son las de Belisa?: Hacia un ethos cortesano femenino en Las bizarrí de Belisa
  2. Fernando Rodríguez Mansilla
  3. pp. 49-66
  4. DOI: 10.1353/boc.2018.0040
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  1. Estructura dramática y función de la polimetría en La cisma de Ingalaterra de Pedro Calderón de la Barca
  2. Fausta Antonucci
  3. pp. 93-110
  4. DOI: 10.1353/boc.2018.0027
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  1. A Day in the Life: The Performance of Playgoing in Early Modern Madrid and London
  2. David J. Amelang
  3. pp. 111-127
  4. DOI: 10.1353/boc.2018.0026
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Reviews

  1. Esther in Early Modern Iberia and the Sephardic Diaspora: Queen of the Conversas by Emily Colbert Cairns (review)
  2. David Wacks
  3. pp. 129-131
  4. DOI: 10.1353/boc.2018.0050
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  1. Amor, honor y poder by Pedro Calderón de la Barca (review)
  2. Carmen Peraita
  3. pp. 133-135
  4. DOI: 10.1353/boc.2018.0044
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  1. Entangled Empires: The Anglo-Iberian Atlantic, 1500-1830 ed. by Jorge Cañizares-Esguerra (review)
  2. Eva Botella-Ordinas
  3. pp. 137-142
  4. DOI: 10.1353/boc.2018.0029
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  1. Fiesta caballeresca en el Siglo de Oro: Estudio, edición, antología y catálogo by Jimena Gamba Corradine (review)
  2. Rafael Ramos
  3. pp. 147-150
  4. DOI: 10.1353/boc.2018.0046
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  1. The Refracted Muse: Literature and Optics in Early Modern Spain by Enrique García Santo-Tomás (review)
  2. Antonio Barrera-Osorio
  3. pp. 151-153
  4. DOI: 10.1353/boc.2018.0028
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  1. Música y poesía en las comedias de Bances Candamo by Gaston Gilabert (review)
  2. Gorka Rubiales Zabarte
  3. pp. 155-158
  4. DOI: 10.1353/boc.2018.0052
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  1. Nuns Navigating the Spanish Empire by Sarah E. Owens (review)
  2. Anne J. Cruz
  3. pp. 173-175
  4. DOI: 10.1353/boc.2018.0031
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  1. Staging Creolization: Women's Theater and Performance from the French Caribbean by Emily Sahakian (review)
  2. Nicholas R. Jones
  3. pp. 181-184
  4. DOI: 10.1353/boc.2018.0038
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  1. Celestina and the Human Condition in Early Modern Spain and Italy by Rachel Scott (review)
  2. Joseph T. Snow
  3. pp. 185-187
  4. DOI: 10.1353/boc.2018.0049
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  1. The New Oxford Shakespeare: Authorship Companion ed. by Gary Taylor and Gabriel Egan (review)
  2. Heather Hirschfeld
  3. pp. 189-193
  4. DOI: 10.1353/boc.2018.0036
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  1. Autos sacramentales completos de Lope de Vega by Lope de Vega (review)
  2. Hilaire Kallendorf
  3. pp. 201-204
  4. DOI: 10.1353/boc.2018.0039
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  1. El pastor de Iberia by Bernardo de la Vega (review)
  2. Javier Irigoyen-García
  3. pp. 205-207
  4. DOI: 10.1353/boc.2018.0037
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  1. La Rosa de Alejandría by Luis Vélez de Guevara (review)
  2. Margaret Parker
  3. pp. 209-211
  4. DOI: 10.1353/boc.2018.0043
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Bulletin of Practice

  1. El Festival de Teatro Clásico de Almagro: "Reserva natural" del Siglo de Oro: Entrevista a Ignacio García
  2. Barbara Fuchs
  3. pp. 213-219
  4. DOI: 10.1353/boc.2018.0034
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