Project MUSE - Bulletin of the Comediantes-Volume 70, Number 2, 2018

Prologue

Elizabeth R. Wright

p. 5

DOI: https://doi.org/10.1353/boc.2018.0051

Retrato y Semblanza

Charles Victor Ganelin

pp. 6-8

DOI: https://doi.org/10.1353/boc.2018.0053

Pulling Strings: Puppets and Free Will on the Spanish Stage

Dale Shuger

pp. 13-31

DOI: https://doi.org/10.1353/boc.2018.0048

Lope de Vega se reescribe: De la comedia bizantina a la novela corta (La viuda, casada y doncella, Guzmán el Bravo y La prudente venganza)

Daniel Fernández Rodríguez

pp. 33-48

DOI: https://doi.org/10.1353/boc.2018.0047

¿Qué bizarrías son las de Belisa?: Hacia un ethos cortesano femenino en Las bizarrí de Belisa

Fernando Rodríguez Mansilla

pp. 49-66

DOI: https://doi.org/10.1353/boc.2018.0040

"El mucho número que hay dellos": El valiente negro en Flandes y los esgrimistas afrohispanos de Grandezas de la espada

Manuel Olmedo Gobante

pp. 67-91

DOI: https://doi.org/10.1353/boc.2018.0035

Estructura dramática y función de la polimetría en La cisma de Ingalaterra de Pedro Calderón de la Barca

Fausta Antonucci

pp. 93-110

DOI: https://doi.org/10.1353/boc.2018.0027

A Day in the Life: The Performance of Playgoing in Early Modern Madrid and London

David J. Amelang

pp. 111-127

DOI: https://doi.org/10.1353/boc.2018.0026

Esther in Early Modern Iberia and the Sephardic Diaspora: Queen of the Conversas by Emily Colbert Cairns (review)

David Wacks

pp. 129-131

DOI: https://doi.org/10.1353/boc.2018.0050

Amor, honor y poder by Pedro Calderón de la Barca (review)

Carmen Peraita

pp. 133-135

DOI: https://doi.org/10.1353/boc.2018.0044

Entangled Empires: The Anglo-Iberian Atlantic, 1500-1830 ed. by Jorge Cañizares-Esguerra (review)

Eva Botella-Ordinas

pp. 137-142

DOI: https://doi.org/10.1353/boc.2018.0029

The Bible on the Shakespearean Stage: Cultures of Interpretation in Reformation England ed. by Thomas Fulton and Kristen Poole (review)

John E. Curran Jr.

pp. 143-145

DOI: https://doi.org/10.1353/boc.2018.0032

Fiesta caballeresca en el Siglo de Oro: Estudio, edición, antología y catálogo by Jimena Gamba Corradine (review)

Rafael Ramos

pp. 147-150

DOI: https://doi.org/10.1353/boc.2018.0046

The Refracted Muse: Literature and Optics in Early Modern Spain by Enrique García Santo-Tomás (review)

Antonio Barrera-Osorio

pp. 151-153

DOI: https://doi.org/10.1353/boc.2018.0028

Música y poesía en las comedias de Bances Candamo by Gaston Gilabert (review)

Gorka Rubiales Zabarte

pp. 155-158

DOI: https://doi.org/10.1353/boc.2018.0052

Cervantes – Shakespeare 1616–2016: Contexto · Influencia · Relación / Context · Influence · Relation ed. by José Manuel González (review)

Paul Carranza

pp. 159-162

DOI: https://doi.org/10.1353/boc.2018.0030

Authority and Spectacle in Medieval and Early Modern Europe: Essays in Honor of Teofilo Ruiz ed. by Yuen-Gen Liang and Jarbel Rodríguez (review)

María Morrás

pp. 163-166

DOI: https://doi.org/10.1353/boc.2018.0042

The Hurt(ful) Body: Performing and Beholding Pain, 1600–1800 ed. by Tomas Macsotay, Cornelis van der Haven, and Karel Vanhaesebrouck (review)

Michael Meere

pp. 167-171

DOI: https://doi.org/10.1353/boc.2018.0041

Nuns Navigating the Spanish Empire by Sarah E. Owens (review)

Anne J. Cruz

pp. 173-175

DOI: https://doi.org/10.1353/boc.2018.0031

Voices of Conscience: Royal Confessors and Political Counsel in Seventeenth-Century Spain and France by Nicole Reinhardt (review)

Isabelle Poutrin

pp. 177-180

DOI: https://doi.org/10.1353/boc.2018.0045

Staging Creolization: Women's Theater and Performance from the French Caribbean by Emily Sahakian (review)

Nicholas R. Jones

pp. 181-184

DOI: https://doi.org/10.1353/boc.2018.0038

Celestina and the Human Condition in Early Modern Spain and Italy by Rachel Scott (review)

Joseph T. Snow

pp. 185-187

DOI: https://doi.org/10.1353/boc.2018.0049

The New Oxford Shakespeare: Authorship Companion ed. by Gary Taylor and Gabriel Egan (review)

Heather Hirschfeld

pp. 189-193

DOI: https://doi.org/10.1353/boc.2018.0036

La Tragédie et ses marges: penser le théâtre sérieux en Europe (XVIe—XVIIe siècles) by Florence d'Artois and Anne Teulade (review)

Esther Van Dyke

pp. 195-199

DOI: https://doi.org/10.1353/boc.2018.0033

Autos sacramentales completos de Lope de Vega by Lope de Vega (review)

Hilaire Kallendorf

pp. 201-204

DOI: https://doi.org/10.1353/boc.2018.0039

El pastor de Iberia by Bernardo de la Vega (review)

Javier Irigoyen-García

pp. 205-207

DOI: https://doi.org/10.1353/boc.2018.0037

La Rosa de Alejandría by Luis Vélez de Guevara (review)

Margaret Parker

pp. 209-211

DOI: https://doi.org/10.1353/boc.2018.0043

El Festival de Teatro Clásico de Almagro: "Reserva natural" del Siglo de Oro: Entrevista a Ignacio García

Barbara Fuchs

pp. 213-219

DOI: https://doi.org/10.1353/boc.2018.0034

ISSN	1944-0928
Print ISSN	0007-5108
Launched on MUSE	2019-06-27
Open Access	No

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