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In this Issue

Table of Contents

  1. Introduction
  2. Jim Hicks
  3. pp. 221-222
  4. DOI: https://doi.org/10.1353/mar.2019.0034
  5. restricted access
  1. I Rang the Bell
  2. Edward Hirsch
  3. p. 223
  4. DOI: https://doi.org/10.1353/mar.2019.0035
  5. restricted access
  1. Two Stories
  2. Antonio Tabucchi, Anne Milano Appel
  3. p. 224
  4. DOI: https://doi.org/10.1353/mar.2019.0036
  5. restricted access
  1. The Cheshire Cat
  2. Anne Milano Appel
  3. pp. 225-229
  4. DOI: https://doi.org/10.1353/mar.2019.0062
  5. restricted access
  1. Wanderlust
  2. Anne Milano Appel
  3. pp. 230-237
  4. DOI: https://doi.org/10.1353/mar.2019.0063
  5. restricted access
  1. Duck Eggs
  2. Ruth Ozeki
  3. pp. 238-239
  4. DOI: https://doi.org/10.1353/mar.2019.0037
  5. restricted access
  1. Drop Coalescence
  2. Mingpei Li
  3. p. 240
  4. DOI: https://doi.org/10.1353/mar.2019.0038
  5. restricted access
  1. Tornado
  2. Mimi Lipson
  3. pp. 241-255
  4. DOI: https://doi.org/10.1353/mar.2019.0039
  5. restricted access
  1. Up in Smoke
  2. Kathryn Mills
  3. pp. 256-270
  4. DOI: https://doi.org/10.1353/mar.2019.0040
  5. restricted access
  1. growth, and: pain, and: Lake Michigan
  2. Leah Claire Kaminski
  3. pp. 271-273
  4. DOI: https://doi.org/10.1353/mar.2019.0041
  5. restricted access
  1. A Dream to Remember, and: Face-to-Face
  2. Naguib Mahfouz, Raymond Stock
  3. pp. 274-279
  4. DOI: https://doi.org/10.1353/mar.2019.0042
  5. restricted access
  1. Face-to-Face
  2. Raymond Stock
  3. pp. 280-287
  4. DOI: https://doi.org/10.1353/mar.2019.0061
  5. restricted access
  1. Two Snails Stuck to My Cheeks
  2. Matei Visniec, Adam J. Sorkin, Lidia Vianu
  3. p. 288
  4. DOI: https://doi.org/10.1353/mar.2019.0043
  5. restricted access
  1. Unfriend Me Now!
  2. Kate Durbin
  3. pp. 289-296
  4. DOI: https://doi.org/10.1353/mar.2019.0044
  5. restricted access
  1. Irish Music
  2. Joyce Peseroff
  3. pp. 297-298
  4. DOI: https://doi.org/10.1353/mar.2019.0045
  5. restricted access
  1. Gasoline
  2. Matt Izzi
  3. pp. 299-315
  4. DOI: https://doi.org/10.1353/mar.2019.0046
  5. restricted access
  1. Having Once Served
  2. J. Malcolm Garcia
  3. pp. 316-320
  4. DOI: https://doi.org/10.1353/mar.2019.0047
  5. restricted access
  1. On the Overnight Train
  2. Alice Friman
  3. pp. 321-322
  4. DOI: https://doi.org/10.1353/mar.2019.0048
  5. restricted access
  1. Anne Bonny Marooned with Child
  2. Dorsey Craft
  3. pp. 323-324
  4. DOI: https://doi.org/10.1353/mar.2019.0049
  5. restricted access
  1. The Nortoning of Nagra
  2. Tabish Khair
  3. pp. 325-335
  4. DOI: https://doi.org/10.1353/mar.2019.0050
  5. restricted access
  1. Trying to Pray
  2. Robert Evory
  3. p. 336
  4. DOI: https://doi.org/10.1353/mar.2019.0051
  5. restricted access
  1. Better Angels II
  2. M. A. Untch
  3. pp. 337-338
  4. DOI: https://doi.org/10.1353/mar.2019.0052
  5. restricted access
  1. Ragnarök
  2. Robert Long Foreman
  3. pp. 339-353
  4. DOI: https://doi.org/10.1353/mar.2019.0053
  5. restricted access
  1. Every Thought Is Citric
  2. Robert Carr
  3. p. 354
  4. DOI: https://doi.org/10.1353/mar.2019.0054
  5. restricted access
  1. Missing: Yumi Itō
  2. Tara Kun
  3. pp. 355-371
  4. DOI: https://doi.org/10.1353/mar.2019.0055
  5. restricted access
  1. Third Swan
  2. David Freeman
  3. p. 372
  4. DOI: https://doi.org/10.1353/mar.2019.0056
  5. restricted access
  1. Watching Sofia with my daughter, the one where the king’s coach crashes
  2. Elizabeth Barnett
  3. p. 373
  4. DOI: https://doi.org/10.1353/mar.2019.0057
  5. restricted access
  1. The Tribes
  2. Stephanie MacLean
  3. pp. 374-392
  4. DOI: https://doi.org/10.1353/mar.2019.0058
  5. restricted access
  1. A Finnish Lake
  2. Susanna Brougham
  3. pp. 393-394
  4. DOI: https://doi.org/10.1353/mar.2019.0059
  5. restricted access
  1. Notes on Contributors
  2. pp. 395-397
  3. DOI: https://doi.org/10.1353/mar.2019.0060
  4. restricted access