In this Issue

Table of Contents

Introduction: The Counterpublics of Underground Comics

Margaret Galvan, Leah Misemer
pp. 1-5
DOI: https://doi.org/10.1353/ink.2019.0000
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Serial Critique: The Counterpublic of Wimmen's Comix

Leah Misemer
pp. 6-26
DOI: https://doi.org/10.1353/ink.2019.0001
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"With Apologies to The Old Masters": Jack Jackson's Citational Practice and the History of Comic Book History

Joshua Abraham Kopin
pp. 27-47
DOI: https://doi.org/10.1353/ink.2019.0002
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Christmas Card from a Cat Dancer in Mipple City: Omaha the Cat Dancer and Midwestern Counterpublics

Aaron Kashtan
pp. 48-69
DOI: https://doi.org/10.1353/ink.2019.0003
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X-Rated: Childhood and the "Adults Only" World of Underground Comix

Lara Saguisag
pp. 70-91
DOI: https://doi.org/10.1353/ink.2019.0004
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Adjacent Genealogies, Alternate Geographies: The Outliers of Underground Comix & World War 3 Illustrated

Margaret Galvan
pp. 92-113
DOI: https://doi.org/10.1353/ink.2019.0005
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Animal Comics: Multispecies Storyworlds in Graphic Narratives ed. by David Herman (review)

Essi Varis
pp. 114-117
DOI: https://doi.org/10.1353/ink.2019.0006
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Latinx Superheroes in Mainstream Comics by Frederick Luis Aldama (review)

Jorge Santos
pp. 117-121
DOI: https://doi.org/10.1353/ink.2019.0007
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Veiled Superheroes: Islam, Feminism, and Popular Culture by Sophia Rose Arjana with Kim Fox (review)

Hussein Rashid
pp. 122-124
DOI: https://doi.org/10.1353/ink.2019.0008
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Alan Moore, Out from the Underground: Cartooning, Performance, and Dissent by Maggie Gray (review)

Jeremy M. Carnes
pp. 124-127
DOI: https://doi.org/10.1353/ink.2019.0009
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Medievalist Comics and the American Century by Chris Bishop (review)

David Sweeten
pp. 127-129
DOI: https://doi.org/10.1353/ink.2019.0010
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Contributors

pp. 130-131
DOI: https://doi.org/10.1353/ink.2019.0011
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