1. Introduction: The Counterpublics of Underground Comics
  2. Margaret Galvan, Leah Misemer
  3. pp. 1-5
  4. DOI: 10.1353/ink.2019.0000
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  1. Serial Critique: The Counterpublic of Wimmen's Comix
  2. Leah Misemer
  3. pp. 6-26
  4. DOI: 10.1353/ink.2019.0001
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  1. "With Apologies to The Old Masters": Jack Jackson's Citational Practice and the History of Comic Book History
  2. Joshua Abraham Kopin
  3. pp. 27-47
  4. DOI: 10.1353/ink.2019.0002
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  1. Christmas Card from a Cat Dancer in Mipple City: Omaha the Cat Dancer and Midwestern Counterpublics
  2. Aaron Kashtan
  3. pp. 48-69
  4. DOI: 10.1353/ink.2019.0003
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  1. X-Rated: Childhood and the "Adults Only" World of Underground Comix
  2. Lara Saguisag
  3. pp. 70-91
  4. DOI: 10.1353/ink.2019.0004
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  1. Adjacent Genealogies, Alternate Geographies: The Outliers of Underground Comix & World War 3 Illustrated
  2. Margaret Galvan
  3. pp. 92-113
  4. DOI: 10.1353/ink.2019.0005
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  1. Animal Comics: Multispecies Storyworlds in Graphic Narratives ed. by David Herman (review)
  2. Essi Varis
  3. pp. 114-117
  4. DOI: 10.1353/ink.2019.0006
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  1. Latinx Superheroes in Mainstream Comics by Frederick Luis Aldama (review)
  2. Jorge Santos
  3. pp. 117-121
  4. DOI: 10.1353/ink.2019.0007
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  1. Veiled Superheroes: Islam, Feminism, and Popular Culture by Sophia Rose Arjana with Kim Fox (review)
  2. Hussein Rashid
  3. pp. 122-124
  4. DOI: 10.1353/ink.2019.0008
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  1. Alan Moore, Out from the Underground: Cartooning, Performance, and Dissent by Maggie Gray (review)
  2. Jeremy M. Carnes
  3. pp. 124-127
  4. DOI: 10.1353/ink.2019.0009
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  1. Medievalist Comics and the American Century by Chris Bishop (review)
  2. David Sweeten
  3. pp. 127-129
  4. DOI: 10.1353/ink.2019.0010
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  1. Contributors
  2. pp. 130-131
  3. DOI: 10.1353/ink.2019.0011
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