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In this Issue

Table of Contents

  1. Editorial Statement
  3. p. 1
  4. DOI: https://doi.org/10.1353/cul.2019.0030
  5. restricted access
  1. Shoot and Cry: Modernism, Realism, and the Iraq War Fiction of Kevin Powers and Justin Sirois
  2. Jim Holstun
  3. pp. 1-38
  4. DOI: https://doi.org/10.1353/cul.2019.0033
  5. restricted access
  1. A Correction-Extraction Complex: Prison, Literature, and Abolition as an Interpretive Practice
  2. Anoop Mirpuri
  3. pp. 39-71
  4. DOI: https://doi.org/10.1353/cul.2019.0036
  5. restricted access
  1. A Passage to the Undercommons: Virtual Formation of Identity in Nikki S. Lee’s Self-Transformative Performance
  2. Hyun Joo Lee
  3. pp. 72-100
  4. DOI: https://doi.org/10.1353/cul.2019.0035
  5. restricted access
  1. Of New Calligraphy: Seamus Heaney, Planetarity, and Lyric’s Uncanny Space-Walk
  2. Sumita Chakraborty
  3. pp. 101-134
  4. DOI: https://doi.org/10.1353/cul.2019.0029
  5. restricted access
  1. Living with Madness: Experimental Asylums in Poststructuralist France
  2. Janell Watson
  3. pp. 137-157
  4. DOI: https://doi.org/10.1353/cul.2019.0037
  5. restricted access
  1. The Political, Cultural, and Ecological Challenges Posed by the Paris Commune
  2. Eugene W. Holland
  3. pp. 161-169
  4. DOI: https://doi.org/10.1353/cul.2019.0032
  5. restricted access
  1. The Feedback Loop of Torture
  2. Eva R. Hudecova
  3. pp. 170-191
  4. DOI: https://doi.org/10.1353/cul.2019.0034
  5. restricted access
  1. Long Live the Senses
  2. Tim Hodgkinson
  3. pp. 192-201
  4. DOI: https://doi.org/10.1353/cul.2019.0031
  5. restricted access
  1. Books Received
  3. pp. 203-204
  4. DOI: https://doi.org/10.1353/cul.2019.0028
  5. restricted access