1. Introduction
  2. Amaury Dehoux, Erica Durante
  3. pp. 7-13
  4. DOI: 10.1353/crc.2019.0000
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  1. Le transnationalisme à deux vitesses : La bipolarité de la globalisation et ses effets néfastes
  2. Amaury Dehoux
  3. pp. 14-29
  4. DOI: 10.1353/crc.2019.0001
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  1. Imagining the World and Its End: Ambivalent Globalization(s) in David Mitchell’s Ghostwritten
  2. Noémie Nélis
  3. pp. 30-44
  4. DOI: 10.1353/crc.2019.0002
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  1. Can the Subaltern Fly? Female Bodies in Molano’s and Marston’s Narcofiction
  2. Erica Durante
  3. pp. 77-95
  4. DOI: 10.1353/crc.2019.0005
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  1. Global Crime, Forensic Detective Fiction, and the Continuum of Containment
  2. Nicole Kenley
  3. pp. 96-114
  4. DOI: 10.1353/crc.2019.0006
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  1. Elegies for Theory
  2. Andre Furlani
  3. pp. 164-170
  4. DOI: 10.1353/crc.2019.0009
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  1. Dostoevsky in Context ed. by Deborah Martinsen, Olga Maiorova (review)
  2. Irina Erman
  3. pp. 171-174
  4. DOI: 10.1353/crc.2019.0010
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  1. Young China: National Rejuvenation and the Bildungsroman, 1900–1959 by Mingwei Song (review)
  2. Andrea Bachner
  3. pp. 175-178
  4. DOI: 10.1353/crc.2019.0011
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  1. From Paris to Tlön: Surrealism as World Literature by Delia Ungureanu (review)
  2. David F. Richter
  3. pp. 179-182
  4. DOI: 10.1353/crc.2019.0012
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  1. Film, Fashion, and the 1960s ed. by Eugenia Paulicelli, Drake Stutesman, Louise Wallenberg (review)
  2. Hilary Radner
  3. pp. 182-184
  4. DOI: 10.1353/crc.2019.0013
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  1. Diasporic Media beyond the Diaspora: Korean Media in Vancouver and Los Angeles by Sherry Yu (review)
  2. David C. Oh
  3. pp. 185-187
  4. DOI: 10.1353/crc.2019.0014
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  1. The New Mutants: Superheroes and the Radical Imagination of American Comics by Ramzi Fawaz (review)
  2. Anna F. Peppard
  3. pp. 192-194
  4. DOI: 10.1353/crc.2019.0016
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