1. Preface
  2. Alan Lupack, Barbara Tepa Lupack
  3. pp. 3-5
  4. DOI: 10.1353/art.2019.0016
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  1. 'Who are the Britons?': Questions of Ethnic and National Identity in Arthurian Films
  2. Christopher A. Snyder
  3. pp. 6-23
  4. DOI: 10.1353/art.2019.0017
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  1. Queer as Folk
  2. Donald L. Hoffman
  3. pp. 24-46
  4. DOI: 10.1353/art.2019.0018
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  1. Tristan in Film
  2. Joan Tasker Grimbert
  3. pp. 47-63
  4. DOI: 10.1353/art.2019.0019
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  1. A Connecticut Yankee at the Movies
  2. Barbara Tepa Lupack
  3. pp. 64-85
  4. DOI: 10.1353/art.2019.0020
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  1. Romancing the Cold War: America's Atomic Narrative Gets Medieval
  2. Susan Aronstein
  3. pp. 86-101
  4. DOI: 10.1353/art.2019.0021
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  1. From Kids as Galahad to Kid Galahad
  2. Alan Lupack
  3. pp. 102-114
  4. DOI: 10.1353/art.2019.0022
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  1. Conduct Becoming: Good Wives and Husbands in the Later Middle Ages by Glen Burger (review)
  2. Nicole Sidhu
  3. pp. 115-117
  4. DOI: 10.1353/art.2019.0023
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  1. An Introduction to Piers Plowman by Michael Calabrese (review)
  2. Rosemary Neill
  3. pp. 117-119
  4. DOI: 10.1353/art.2019.0024
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  1. The Kid Who Would Be King dir. by Joe Cornish (review)
  2. Alan Lupack
  3. pp. 119-121
  4. DOI: 10.1353/art.2019.0025
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  1. Outlaw King dir. by David Mackenzie (review)
  2. Andrew B.R. Elliott
  3. pp. 121-122
  4. DOI: 10.1353/art.2019.0026
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  1. The Danger of Romance: Truth, Fantasy, and Arthurian Fictions by Karen Sullivan (review)
  2. Laine E. Doggett
  3. pp. 122-124
  4. DOI: 10.1353/art.2019.0027
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  1. Aquaman dir. by James Wan (review)
  2. Susan Aronstein, Taran Drummond
  3. pp. 124-126
  4. DOI: 10.1353/art.2019.0028
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