1. Music Discovery: Past, Present, and Future
  2. Chris Holden, Keith Knop, Nara Newcomer
  3. pp. 591-619
  4. DOI: 10.1353/not.2019.0007
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  1. Reprints Revisited: Recollections of a Publisher (and a User)
  2. Ronald Broude
  3. pp. 620-633
  4. DOI: 10.1353/not.2019.0029
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  1. Notes for Notes
  2. pp. 634-636
  3. DOI: 10.1353/not.2019.0030
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  1. Sources of Identity: Makers, Owners, and Users of Music Sources before 1600 ed. by Lisa Colton and Tim Shephard (review)
  2. Jennifer Thomas
  3. pp. 637-640
  4. DOI: 10.1353/not.2019.0031
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  1. The Polyphonic Mass in France, 1600–1780: The Evidence of the Printed Choirbooks by Jean-Paul C. Montagnier (review)
  2. Erick Arenas
  3. pp. 640-643
  4. DOI: 10.1353/not.2019.0032
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  1. Playing in the Cathedral: Music, Race, and Status in New Spain by Jesús A. Ramos-Kittrell (review)
  2. Javier Marín-López
  3. pp. 643-646
  4. DOI: 10.1353/not.2019.0033
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  1. Andreas Werckmeister's Musicalische Paradoxal-Discourse: A Well-Tempered Universe trans. by Dietrich Bartel (review)
  2. Kimberly Beck Hieb
  3. pp. 646-648
  4. DOI: 10.1353/not.2019.0034
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  1. Allusion as Narrative Premise in Brahms's Instrumental Music by Jacquelyn E. C. Sholes (review)
  2. Christopher Reynolds
  3. pp. 651-654
  4. DOI: 10.1353/not.2019.0036
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  1. The Rite of Spring at 100 ed. by Severine Neff, Maureen Carr, and Gretchen Horlacher, with John Reef (review)
  2. Peter J. Schmelz
  3. pp. 654-657
  4. DOI: 10.1353/not.2019.0037
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  1. Sergei Prokofiev's Alexander Nevsky by Kevin Bartig (review)
  2. Terry L. Dean
  3. pp. 657-660
  4. DOI: 10.1353/not.2019.0038
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  1. "Very Good for an American": Essays on Edward MacDowell ed. by E. Douglas Bomberger (review)
  2. Myron Gray
  3. pp. 660-662
  4. DOI: 10.1353/not.2019.0039
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  1. Duke Ellington Studies ed. by John Howland (review)
  2. Eunmi Shim
  3. pp. 662-665
  4. DOI: 10.1353/not.2019.0040
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  1. Libby Larsen: Composing an American Life by Denise Von Glahn (review)
  2. Robin Rausch
  3. pp. 665-667
  4. DOI: 10.1353/not.2019.0041
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  1. The Music of Simon Holt ed. by David Charlton (review)
  2. Karen J. Olson
  3. pp. 667-670
  4. DOI: 10.1353/not.2019.0042
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  1. Foreign Opera at the London Playhouses: From Mozart to Bellini by Christina Fuhrmann (review)
  2. Lee Chambers
  3. pp. 670-673
  4. DOI: 10.1353/not.2019.0043
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  1. Everyday Creativity: Singing Goddesses in the Himalayan Foothills by Kirin Narayan (review)
  2. Victoria M. Dalzell
  3. pp. 677-679
  4. DOI: 10.1353/not.2019.0046
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  1. Transglobal Sounds: Music, Youth and Migration ed. by João Sardinha and Ricardo Campos (review)
  2. Francisco D. Lara
  3. pp. 680-683
  4. DOI: 10.1353/not.2019.0047
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  1. Dust of the Zulu: Ngoma Aesthetics after Apartheid by Louise Meintjes (review)
  2. Imani Sanga
  3. pp. 683-685
  4. DOI: 10.1353/not.2019.0048
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  1. Kwaito's Promise: Music and the Aesthetics of Freedom in South Africa by Gavin Steingo (review)
  2. Suzanne Wint
  3. pp. 685-687
  4. DOI: 10.1353/not.2019.0049
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  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 688-693
  4. DOI: 10.1353/not.2019.0050
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  1. Works with Texts in the Vernacular by Antoine Busnoys (review)
  2. Peter Woetmann Christoffersen
  3. pp. 694-697
  4. DOI: 10.1353/not.2019.0051
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  1. Die Lieder by Martin Luther (review)
  2. Robin A. Leaver
  3. pp. 701-704
  4. DOI: 10.1353/not.2019.0053
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  1. Trois fugues de Luigi Cherubini: mises en partition de piano by Frédéric Chopin (review)
  2. Jonathan D. Bellman
  3. pp. 705-706
  4. DOI: 10.1353/not.2019.0054
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  1. Music Received
  2. Kathleen A. Abromeit
  3. pp. 707-712
  4. DOI: 10.1353/not.2019.0055
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  1. Index to Volume 75: September 2018 through June 2019
  2. Martin D. Jenkins
  3. pp. 740-746
  4. DOI: 10.1353/not.2019.0057
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